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The a16z Show · · 84 分钟

创意为何会比代码更重要|Kevin Rose 与 Anish Acharya

Kevin RoseAnish Acharya

YouTube
TL;DR
  • AI以Acharya自2010—2012年以来未见的规模,重新打开了消费级投资,自然下载量和付费意愿成为最清晰的需求信号。 消费者每月愿意为ChatGPT顶级套餐支付200美元、为Google Ultra支付250美元、为Grok支付300美元,业余用户也在Cursor等工具上重金投入。他的判断是:这是“消费级投资的文艺复兴”,而不只是又一轮企业软件周期。

  • 当大型科技公司无法提供足够的个性或模型选择时,创业公司仍保有结构性机会。 Acharya区分了能力强的基础模型与有鲜明立场的产品:后者可以处理分歧、性、说服和陪伴等“上千个委员会”可能回避的人类议题。Rose补充说,多模型产品还提供第二个切口:Cursor可以开放竞争模型,而Google不太可能把Anthropic嵌入自己的产品。

  • 值得押注的消费级创始人应该“古怪且有效”,因为陌生行为往往是新原语出现的前兆。 Rose寻找的是那些不断重新解释产品及其最细微之处的构建者;Acharya则先看古怪,再看是否冒出一点烟。“古怪无法制造。”Twitter的单向关注、Uber坐陌生人的车、Airbnb睡陌生人的沙发,在成为默认行为前都曾让人不适。

  • 软件生产成本的坍缩,可能让个人互联网生意在中心化网络攫取2010年代经济利益后重新复苏。Acharya认为,我们需要的软件只有“1%已经存在”;当创作从一个提示词开始时,一次性应用、5人团队工具和年收入达到100万美元的个人公司都会变得合理。 有些公司甚至可能永远不需要风险投资——用他刻意极端的说法,甚至可以出现“1000亿美元收入、1个人”的公司。

  • 随着执行变便宜,竞争优势转向编排、品味和对产品的极致打磨。 Rose用AI生成20个互不相关的交互概念,把最强的2个各扩展成10个变体,再重新组合其中最好的动效细节;过去成本高到不值得做的工作,如今变成日常。他的绝对化表述是“工程已经结束”,但Acharya不同意由此推导出的教育结论,认为技术系统思维比以往更有价值。

  • 陪伴和情感界面可能成为比电子表格更大的AI品类,但“顺从一切”仍是未解的产品风险。 Acharya认为,合成对话是对孤独的有意义回应;Rose则称AI电子表格是“这一原语最不雄心勃勃的实现”。两人提醒,无休止地肯定用户的机器人可能会让人退化真实关系所需的分歧能力;答案或许是更精准地校准张力,而不是永久服从。

  • 全天候AI需要先建立可见、保护隐私的社会契约,才能让记忆优势克服逐字记录带来的寒蝉效应。 他们偏好的设计是“有损压缩”:在设备端处理私密谈话,只保留主题和情绪背景,丢弃危险措辞。红灯可以代表逐字记录,绿灯代表只保留主题;挑战不仅在转录准确性,更在产品设计和信任。

摘要 · 为研究而整理的核心内容

1. 消费级AI重启沉寂的投资赛道

  • Acharya的起点判断很直接:过去大约5年的消费级投资乏善可陈,TikTok和Instagram占据主导,衍生产品很难真正创造新东西。如今AI提供了“重新发明这一框架的每一个组成部分”的机会,带回社交网络进入整合期后消失的兴奋感。

  • Acharya称,现在是“消费级投资的文艺复兴”,可与2010、2011和2012年相提并论。消费者再次通过自然渠道发现产品,而且更不寻常的是,他们愿意支付真金白银:ChatGPT顶级套餐每月200美元,Google Ultra为250美元,Grok为300美元,专业人士和业余用户也在Cursor上投入可观支出。

  • 机构背景规模庞大但高度专业化:Acharya估计,a16z约有600名员工、可能30名普通合伙人,投资团队约70人。他日常关注的是面向消费者以及部分企业的AI应用,工作交织着创始人会面、董事会事务和直接产品体验。

2. 大模型并不会消灭有鲜明立场的产品市场

  • Rose惊讶于大型公司终于能够大规模推出消费科技;但历史经验表明,分发并不等于相关性,他们共同参与Google+的经历就是例子。Acharya的区分是,大公司主要发布的是“模型,而不是产品”——消费者想要强大的基础能力,却未必想要缺乏连贯观点的体验。

  • NotebookLM是例外,它让Acharya觉得Google做出了某种“从0到1”的产品。但他的限定很重要:它可能来自一系列实验的组合,而不是一次有意设计终极消费—专业消费产品的任务,因此还不能证明大公司能否反复做出这类体验。

  • 创业公司的机会,位于企业约束与完整人类体验发生冲撞的地方。Janitor AI等产品可以探索陪伴、分歧、说服和性,这些都是“Google和Facebook的上千个委员会不想处理”的议题;用Rose的话说, incumbents 在结构上就注定会“把产品的灵魂抽走”。

  • 第二个机会来自多模型,而不是多模态软件。Cursor的价值在于客户可以在不同模型之间选择,而Google不太可能在自己的产品里提供Anthropic;那些产品质量来自模型竞争的应用,仍比垂直绑定单一实验室的产品受到更少约束。

3. AI陪伴回应孤独,却可能训练出错误反射

  • 被问及AI女友和不受约束的性聊天究竟是昙花一现还是持久品类时,Acharya从孤独而非新奇出发。Rose享有“多到令人尴尬的社交资源”,但这不是大多数人的体验;在Acharya乐观的框架里,只要能部分缓解隔离感,就已经是人性化且有利于社会的进步。

  • Rose追问,聊天机器人是否只能填补另一个人提供的情感需求中大约10%。Acharya认为它可以更多:即使理智知道对面是计算机,人的“蜥蜴脑、爬行动物般的大脑”在类人对话中仍会产生情绪和化学反应。

  • 这场讨论中的悲观论点是,情感成长来自摩擦——听到“我不同意你的看法”、忍受不适并建立共同基础;而早期模型几乎什么都表示同意。两人提到有人把模型无论提议什么都答应的截图发给Tim Ferriss,Ferriss的结论是:“我们完了。”

  • Acharya承认永久同意既不真实,也无法滋养关系,但他把这视为校准问题,而非宿命。ChatGPT于2022年11月问世,而这场对话发生在2025年11月之前;期待人类连接的全部质感立刻被解决,是把AI的“巨型砖头手机时代”误当成成熟媒介。

4. 情感界面可能介于人与日常工作之间

  • 两人将论点从明确的陪伴产品进一步拓展。Acharya说,技术用了40年延伸人的智力,但人类生活很大一部分是情感和主观体验。Rose回应称,AI现在也可以延伸这一层;相比这一机会,“AI电子表格”虽然有用,却是“这一原语最不雄心勃勃的实现”。

  • Rose举了一个尴尬的早期行为:夫妻争执后,他会让ChatGPT用Terry Real的框架分析对话,然后犯下把答案原样贴回给妻子的错误。她称那是“我的机器人”,不喜欢这种介入,但Rose预计未来会出现一个、希望能够保持中立的系统,同时观察夫妻双方并实时提供反馈。

  • Acharya把这种环境式模型延伸到家庭和课堂。家庭助手可能发现家长遗漏了孩子试图表达的内容;以隐私为先的视觉模型则可以辅助教师追踪社会情绪学习,接近他儿子所在学校采用的“双教师”模式——一位负责学业,另一位负责SEL。

  • Poke体现了“间接陪伴”:它是功能性邮件工作的情感前端,通过iMessage沟通,最初拒绝用户加入,起步定价为每月200美元,并读取用户全部邮件,从而可以据理力争:一个愿意购买昂贵酮体产品的潜在客户,当然付得起这笔钱。它在真正开始工作前,先通过一次谈判制造感知价值。

5. “古怪且有效”是种子期信号

  • Rose看重思维的新颖性,而不是对熟悉事物的精致复刻。一次古怪的定价谈判未必能做出前10的应用,但它能暴露出一个可能重新思考产品其他部分的构建者;即使最初概念不是赢家,只要不断出现足够多原创转折,最终就可能找到“魔法卡牌”。

  • Rose把自己尝试过的消费级投资方法称为“古怪且有效”,Acharya则说自己先找古怪,再找一点烟。关键在于创始人层面的持续性:一次古怪且有效的尝试可能失败,但“古怪是内生的”,同一个人可以连续做出几次真正差异化的尝试。

  • 尴尬感也是筛选条件的一部分。Acharya回忆,最初他不明白Rose投资位于Hayes的一家Blue Bottle咖啡摊如何能够达到风险投资规模;Rose愿意承受看起来判断错误的风险。两人的更广泛观察是,有争议的投资之所以有价值,恰恰可能因为共识尚未意识到它们将促成的行为。

6. 最好的消费产品先改写行为,之后才显得理所当然

  • Rose对Twitter的判断,核心是用单向关注取代互惠友谊。MySpace时代的产品要求用户获得许可,才能进入另一个人的世界;Twitter则允许任何人广播,也允许陌生人——包括那些永远不会与名人交朋友的人——订阅内容。“关注”第一次使用时让人困惑,事后回看却变得不可避免。

  • Uber和Airbnb改写的规则,比软件描述本身更深。人们曾被教育“绝不要上陌生人的车”“绝不要睡在陌生人的沙发上”;后来这两种行为都变得稀松平常,显示出人们对陌生人的信任发生了意外的正向变化,也解释了为什么最大的消费级转变一开始往往显得不合社会规矩。

  • 消费级新奇最终会沉淀为背景基础设施,这也是旧网络变得乏味的原因。互联网的建设性一面在于,人们不再需要等到上大学才能找到“自己的怪人社区”:即使是日本木工这样的细分兴趣,只要让5000名感兴趣的人彼此找到,也能形成强大的网络。

7. Digg按钮把一次点击变成算法社会信号

  • Rose将Digg按钮追溯到早期异步JavaScript时代,当时无需刷新页面即可点击本身就是新鲜事。Slashdot接受投稿,但仍保留守门人;Delicious统计书签,却都没有提供直接的“我觉得这很酷”投票。Digg于2004年末上线后,每一次真实点击都会让数字直观上升。

  • 他申请专利是出于防御目的,并非想阻止他人使用这一机制。当Digg的流量超过Facebook时,两人因Greylock的共同关系受邀与Mark Zuckerberg吃饭;Rose解释说,点赞是一种“社会信号”,可以输入算法,从而生成更多用户想看的内容。几个月后,Facebook发布了自己的点赞按钮。

  • Rose说,他欢迎Facebook的诠释,后来也很欣慰一位工程师告诉他Digg曾带来启发。Digg当时每月在第三方网站上提供数十亿次Digg按钮服务;原公司的资产被低价出售后,LinkedIn以数百万美元买下了底层社交按钮专利。

  • 把投票机制用于评论,则暴露出更阴暗的需求信号。Rose和Daniel Burka让评论在获得5次“埋藏”后折叠,随后看到一条评论跌到大约负200:用户重新打开隐藏评论,只为“看看这场车祸”,确认它确实糟糕,再次点踩。“人会被血腥现场吸引。”

8. 廉价创作修复软件缺失的长尾

  • 自从在母亲叫他上楼吃饭时编写BBS以来,Rose从未感到如此兴奋。设计师和非工程师如今都能原型设计并发布产品,创造力、生产力和情绪表达由此交汇;Acharya最有力的量化表述是,今天的世界只拥有“我们需要的软件的1%”,剩余99%仍未被构建。

  • 成本下降让过去不合理的软件变得可行:Acharya的妻子可以为5个朋友做一个显化应用,不用融资,也不用雇工程师。他甚至认为可能出现“1000亿美元收入、1个人”的公司,永远不需要风险投资;与此同时,他预计会有大量个人做出年收入达到100万美元的生意。

  • 历史类比是1990年代的共享软件和数字街角商店。中心化网络攫取了2010年代的大部分经济利益,创作因此成为少数仍有雄心的个人路径之一;直接向消费者收费可能扭转这一局面,但Acharya指出,30年来微支付的热情屡屡失败,并补充道:“也许这次会成功。”

  • Rose担心每月5美元的订阅会不断累积,最终变成每月数百美元。Acharya的回答是有条件的:API调用中的嵌入式支付可能创造新模式,而消费者也许会容忍更多订阅,因为软件如今能够处理比5年前重要得多的生活领域。

9. 产品使用是研究方法,而不是可有可无的演示

  • Acharya的生产力工具栈从Perplexity的Comet浏览器及其助手开始,他将其称为面向消费者的RPA。当不知道确切要找什么时,他使用Perplexity;导航类查询则仍然交给Google——这是综合整理与已知目的地搜索之间的有用区分。

  • 当整个工作流已经在Notion里运行时,Notion集成会议记录的优势很明显,但两人都称赞Granola这一独立产品。对于及时研究,Acharya更偏好Grok,因为它能实时查看X,回答上周哪些AI迷因最受欢迎等问题;他把这视为文化运动的代理指标。

  • 发布速度本身就是负担:在大约2周内,他提到了Sonnet 4.5、OpenAI Dev Day发布的ChatKit、AgentKit和Apps SDK、Sora 2及其应用,以及他认为可能在下周到来的Gemini 3。跟上进度意味着真正为每个产品投入数小时,而不是扫一眼发布公告。

  • 6位核心消费级投资人分别覆盖前沿领域:Justine关注创意工具,Brian关注奇怪的新兴社交产品,Olivia关注生产力和语音,Acharya则维持着大约50个应用构建订阅。他们的规则是绝对的——“没真正用过产品,就不能发表看法”——之后还会将大量思考公开发表。

10. Vibe coding横跨一键玩具与雄心勃勃的软件系统

  • Rose先在v0里画一张纸稿,用手机拍下来,让它构建交互,再把Next.js组件导出到Cursor。他接入Supabase和Postgres,推送到GitHub,最后通过Vercel部署;由于具备技术背景,他保留底层访问权限,“螺丝钉和零部件”对他而言是有用的,而非令人畏惧的东西。

  • 当Cursor陷入死胡同时,Rose会让模型互相对打。他可能让一边用Cursor的Sonnet 4.5聊天功能,另一边使用Codex;把一个模型的失败转交给另一个模型,往往能突破认证或集成Bug,而非技术构建者则可能被困在反复无效的提示词里。

  • Acharya把Base44放在“全套电池已装好”的一端:这家1人公司被Wix以8000万美元收购,用户甚至不需要知道Supabase是什么。它一次性完成了他的Catsstagram项目,包括部署和购买域名;Replit也适合类似的快速任务,而Cursor支持更大的野心。

  • Convex让他看到专业基础设施能增加什么:一个实时聊天应用在几分钟内出现,避开了Rose在Postgres上遭遇的WebSockets和状态管理痛苦。Vibe coding更广泛的价值在于,它允许人们先尝试数据库或TypeScript,而不必先成为相关技术的专家。

11. 无限设计探索让产品打磨变得经济

  • Rose在v0里先把一个交互单独拎出来,要求生成20个“完全新颖、独特”且与第一个方案无关的概念,再把它们当成视觉菜单逐一审阅。如果第3版和第8版有潜力,他就分别要求生成10个变体,再把第3版的缩放和第8版的淡出组合起来。

  • Acharya的观察是,这一流程取消了过去的ROI计算。要求设计师做20个备选方案,意味着投入大量时间,还要事先确定优先级;生成式工具让构建者可以“在看似微不足道的东西上无限深入”,使过去5年里成本高到无法合理化的精修和工艺,如今变得负担得起。

  • Rose追求的结果是情绪上的,而不只是功能上的:一颗心可以以某个角度爆开,再通过平滑的矢量运动淡出。这种“最小原子单元”的惊喜与愉悦,提供了用户能够感知的深度,也说明当执行能力变得充裕后,创意和品味仍然稀缺。

12. AI音乐成为乐器,文化仍是作曲家

  • Acharya把音乐技能类比为编程技能:很多拿起乐器的人都想把它演奏好,但技巧成了表达的门槛。AI至少可以成为承载“音乐欲望”的乐器,让那些因为创作者无法用传统方式演奏而始终未被制作的作品得以出现。

  • 他最初通过Udio和Suno接触文本生成歌曲,但更深层的控制如今变得重要;他提到Mureka、ElevenLabs和Suno内置的DAW。借助Hedra和人声器乐分离,他制作了由The Notorious B.I.G.主演的“Impossible Tiny Desk”;他还重新混音了“Smells Like Teen Spirit”,并用Veo 3生成全部视频。即使只有10次观看,也没有削弱他的满足感。

  • 对于“垃圾内容”批评,他的回答是文化因果论。一个吸收了嘻哈之前所有音乐流派的模型,并不一定能推导出嘻哈:“你需要Bronx。你需要Queensbridge。你需要70年代的纽约文化。”亲身经历仍在生成下一种流派,而不会止步于训练语料。

13. 真正的好奇心比预测表演更重要

  • Rose捕捉趋势的方法是“我必须亲自玩”:像孩子一样,看到极客周末在用什么就想测试,同时拒绝AR和VR等他认为忽略周围社会动力的方向。这不能被安排成研究任务,因为有价值的信号来自一种“不觉得是在工作”的好奇心。

  • 他当前的个人项目从一块昂贵的家用GPU开始:让多个模型争论并评选出100张最具文化影响力的专辑,为每张专辑编写2分钟导览解释,用ElevenLabs配音,再通过Spotify把整个旅程同步起来。这个不必要的产品,迫使他学习模型仲裁、音频和API。

  • Rose的绝对化推论是“工程已经结束”:在网络上把100万条故事分发开来等非主观结果,将成为已经解决的问题,人们只需编排信息。Acharya则分别提到自己在Tim Ferriss Show中对NVIDIA股价达到1万亿美元时的预测,以及Ethereum上线前的判断。Rose也承认,自己大多数下注都失败了。

  • Acharya拒绝从自动化直接跳到放弃计算机科学。编程语法的价值可能下降,但技术素养、数学、分布式系统思维和顺序化解决问题的能力会变得更重要;两人最终指向的是覆盖技术、设计、营销和人类行为的更广泛创始人教育,而不是狭窄的纯代码课程。

14. 全天候记忆需要社会提示和有意遗忘

  • Acharya提醒创始人,不要对今天的惯例过度拟合。2008年App Store起步时大约只有600万部iPhone,而ChatGPT在3年内达到8亿活跃用户;评论家曾经执着于基于位置的广告,认为人们永远不会分享位置,但更年轻的用户后来却普遍这么做。

  • Rose仍然担心无处不在的录音,因为不被记录的对话才允许人们坦率、冒险。伴侣和同事已经会要求他人移除录音设备,而把每一句私密话语都存进云端,不仅制造黑客攻击的责任风险,也会带来寒蝉效应:友谊的一部分基础,正是知道脆弱的话会消失。

  • Acharya预计技术和社会规范会“同步适应”;在纽约酒吧录音可能招来一拳,在旧金山却可能被视为正常。Limitless展示了上行空间——记录那些否则会消失的意外想法——但两人都同意,转录应从穷尽式监控转向有用的记忆。

  • 他们的解决方案是设备端“有损压缩”:保留主题和情绪基调,同时丢弃精确的私密措辞。Rose设想用醒目的红色LED表示逐字记录,用绿色表示只处理主题;他的亲身教训说明了这种设计的必要性:他曾调取文字记录来证明妻子错了——“这就是你最后一次戴上这个设备。”

Anish Acharya

So, how did the Like button come into existence? What was it like back during that time?

Kevin Rose

I think in the early days, when we first had something called AJAX—to get a little bit geeky—it was the first time, even though this sounds super archaic, that you could actually click a button, send out for a server response, and get something back into your browser. There was no way to just say, “I think this is cool. Let me just tap on it and show my vote of interest on something.”

I was like, well, wouldn’t it be cool if you clicked something and you saw the number go up, and that number was the number of humans who had actually clicked on something? The way I see it, this is a social signal that will feed back into an algorithm that eventually gives you more stuff that you would like to consume.

Anish Acharya

All right, man. So, ketones. Am I going to go on a trip?

Kevin Rose

This is going to be a surprise for you. These are ketones that Tim Ferriss turned me on to.

Anish Acharya

Okay, we don’t have to make it a plug in the podcast or anything. This isn’t a show about ketones.

Kevin Rose

But I will tell you that when you hit this, these are specifically made for—they’re supposed to go in your coffee.

You have to be careful here because you have to bend this like this, and then it kind of shoots into your mouth, and then you just chug it. Have you ever had ketones before?

Anish Acharya

No.

Kevin Rose

Okay. All right. Let’s do this. Let’s do this. Let me show you how to do it—I’ll do it first. So, you bend like this.

Anish Acharya

Mm-hmm. Mm-hmm. Mm-hmm. What am I doing here? Okay, there you go. Like this?

Kevin Rose

Let’s do it, Anish. Yeah. Wait, wait, no. No, wait. That’s backwards. Let me see. Yeah, there you go. I had a friend do that, and he shot it all over his chest. You don’t want that before the podcast.

Okay, take it back. Take it like a champion. Squeeze. Suck. You’re going to notice a little bit of bitterness. Do you taste it?

Anish Acharya

Mm-hmm.

Kevin Rose

Yeah, it’s not good.

Anish Acharya

Oh my God.

Kevin Rose

Yeah, it’s the worst. Now, this is going to give you brainpower for the podcast. So, this is how we start the show.

Anish Acharya

Jesus, dude. It tastes like I regurgitated a Tylenol. Fucking terrible.

Kevin Rose

It does taste like a chewed-up Tylenol. That’s a great way to put it.

Anish Acharya

Okay.

Kevin Rose

All right. So, we’ll let that kick in. Anish, dude, I’m so glad we’re doing this, brother.

Anish Acharya

Excited, man. Thank you. Thank you.

Kevin Rose

Before we get into the ketones kicking in, let’s get a little bit of background because it’s important. I know we’re going to be syndicating this across a couple of podcasts. I was telling people who we are. We’ve known each other for a long time. We worked together at Google a long time. We worked together at Google Ventures and Google corporate, and yeah, man, we’ve been good homies for many, many, many years.

No one’s ever seen us on a pod together, I don’t think, right? We’ve never done anything. So, do you want to give a little of your background?

Anish Acharya

Yeah, yeah, yeah. Of course. Thank you for having me, man. This is awesome. I’m Anish. I’m a GP at Andreessen Horowitz. I’ve been friends with Kevin forever. I’m a product person. I’m an engineer. I’m a technologist. I started 2 companies. I’m probably having the most fun I’ve ever had, both personally and professionally and all of that. I’m excited to talk to everyone about it today.

It was really cool when we first met. We both were—I don’t know how we ended up there and got on Google+.

Kevin Rose

But we were both on Google+, and I remember working with you in the very early days. When you land at Google for the first time, you don’t know what to expect. You’re getting in there and you don’t know: What is this whole thing going to be about? Who am I going to work with?

Very quickly, you realize there’s fantastic engineering talent there. Then, product-wise, I was like, “I don’t know that these people actually live and breathe product.” It was very much—you’re kind of in the Google bubble—but you were one of the first people I was like, “Oh my God, this is an amazing product mind,” and I got to work with this guy.

We figured out a way to stay connected and work together when we bounced over to Google Ventures, and yeah.

Anish Acharya

Well, dude, “figured out a way” is generous. You saved my life. I remember I worked with you for 3 or 4 weeks, and what’s cool, actually, is you joined and you were like, “No, this is not it. I’m not doing it.” I’m like, “What do you mean? What about vesting? What about Google+? What about this and that?”

Kevin Rose

And you were just so sure, and you were right. You moved over to Ventures.

Anish Acharya

I remember, at the time, talking to you outside of that building, the Google+ building, and saying, “Kevin, don’t leave me behind, man. Please bring me with you, and I’ll make you look good.” That’s a thing you say and you assume nobody will ever call you back after that.

Then, 3 months later, you called me. You were like, “All right, man. What’s up?” Like, “Why don’t you come over here and do this with us?” I mean, that single act of professional generosity changed my whole life.

Kevin Rose

That’s awesome, dude.

Anish Acharya

I’m very grateful.

Kevin Rose

Well, big shout-out to Chris Hutchins, who got us connected to Google—the mastermind who got us connected to Google Ventures—and then, of course, Bill Maris, who was running Google Ventures. I pulled you and Burka [?] in, and we all got over there and had a great time at GV.

Fantastic crew. I love those people. I thought Google Ventures was a great place. They’re the best of us, you know. Bill had the best energy. I met my wife there. I mean, everybody there was very good people.

Anish Acharya

Yeah. And then David Krane’s running it now, which is awesome to see. He was such a great person to be around. I really enjoyed my time with David, and it’s great to see him just turning that firm into an awesome—I look at the portfolio now since we’ve left, and he’s built out a great suite of companies that are just top-tier.

Kevin Rose

It’s legit, man. It’s legit.

Anish Acharya

Well, it’s actually fun to see you in action as a consumer investor. I think so much consumer investing and building is willingness to be embarrassed.

Kevin Rose

Yeah.

Anish Acharya

You did deals like Blue Bottle.

Kevin Rose

Yeah.

Anish Acharya

And I’m like, “Kevin, what is this? A coffee shop with a stand in Hayes? How is this going to be a venture investment?” And it was. You were willing to be embarrassed by it, and you were so right.

Kevin Rose

Well, you’re wrong a lot, as you know. We’re wrong most of the time. Consumer stuff for you—what does your day-to-day look like at a16z? It’s a massive firm. How many total employees are at a16z?

Anish Acharya

God, 600, probably.

Kevin Rose

Yeah. Holy crap.

Anish Acharya

It’s big. It’s big.

Kevin Rose

And how many GPs?

Anish Acharya

That’s a good question. Maybe 30.

Kevin Rose

Okay.

Anish Acharya

The investing team’s relatively small. It’s probably 70. But it’s actually nice, the way the firm works, because it’s a collection of specialists. Everybody who’s there is the best in the world at what they do, both knowledge-wise and network-wise.

Even though it’s a large group, that’s because we’re all specialists pointing in different directions. So, my consumer world every day is spending time with consumer founders. I spend some time with enterprise founders as well. Everything AI apps. It’s a mix of seeing companies, supporting founders on boards, and also playing with products.

Kevin Rose

To me, this is the craziest thing. It’s something that I learned from you, which is so many people just don’t use the products. How can you have intuition if you’re not making videos on Sora or vibe coding? There’s just so much alpha hiding in plain sight. All you have to do is use the products.

Anish Acharya

Yeah. I feel like the last, call it, 5 years on the consumer side have been relatively boring for me as an investor because I’ve looked at stuff and I said, “Gosh, you know, we’ve got the bigs in the room. You’ve got the TikToks. You’ve got Instagram still dominating, and then you see some of the folks like Threads that are just copying and somehow strapping on integrations with decentralized social, and that’s supposed to be a thing.”

Kevin Rose

Yes. But I hadn’t seen anything that, in my mind, was that interesting. It felt like consumer had this kind of down period of several years where there wasn’t really anything new.

Now that AI has come into the mix, I feel like there’s a chance to almost reinvent every piece of that framework. Do you feel that way as well? Is AI a shot in the arm for consumer?

Anish Acharya

100%. I mean, I’ll give you the investor perspective and then the builder perspective. I want to hear yours. From an investor perspective, this is like a renaissance for consumer investing. We haven’t seen an opportunity like this, I think, since 2010, 2011, 2012, because consumers are downloading products organically. That hasn’t happened in a long time.

Consumers are willing to pay. You look at the price points of the top products, right? The top ChatGPT SKU is $200 a month. The top Gemini SKU, Google Ultra, is $250, and then Grok is $300 a month. Consumers are actually paying that amount. I mean, how much do you think you’ve paid to Cursor?

Kevin Rose

A lot.

Anish Acharya

A lot. Yeah. Some of that is professional behavior, but a lot of that is just consumer and hobbyist behavior. So, I think that consumer is back in a big way. The tech-enthusiast consumer is excited in a way that they haven’t been for 10 years.

And when you look at the companies you just mentioned, though, they're largely the bigs. One of the things that's happened in consumer that I never thought would be the case, and that shocked me, is that the bigs—top-tier Fortune 100 companies—can put out consumer tech for the first time and actually see it get scale. It was always the bigs that couldn't figure it out; they had to acquire Instagram to be cool. They had to buy the cool.

And I think with ChatGPT—and actually with Google as well, with their Nano Banana model and whatnot—for the first time, we're seeing the bigs put out consumer apps that are getting some traction. Granted, they do have the scale and the install base; they can put that in front of a lot of people. But like we saw with Google+, just because you have the install base and the eyeballs doesn't mean you're going to see success on the consumer side. That's right. And I feel like we're starting to see that with the bigs, which was kind of shocking to me. Did that shock you as well?

Kevin Rose

It did, in a sense. What the bigs have released are models, not products. And I think there's an important distinction here.

Anish Acharya

NotebookLM, I would say, was the first time I was like, “Wow, that was a zero-to-one kind of product that I actually still use frequently.” But it's not consumer-consumer. That's a little bit more—

Kevin Rose

Business slant.

Anish Acharya

You're absolutely right, though. I think that NotebookLM was inadvertent, right? It was one of many experiments, and it worked. And, you know, not to take any credit away from Google, but I don't know that they said, “Hey, let's design an incredible consumer product,” and then invented NotebookLM, right?

Kevin Rose

Right?

Anish Acharya

So I do think that if you look at the models, the models are incredibly capable, and the bigs and the labs obviously are advantaged in certain ways, with capital, et cetera, to build great cutting-edge models. Consumers love those models, so that's great. They're playing in that space. It's definitely relevant.

But when it comes to opinionated products on top of the models, like Cursor is a good example. Krea is a good example. Companionship is actually a very interesting category where there's huge demand for companionship products. And a lot of these companionship products, like Janitor AI, deal with parts of the human experience that big tech is not going to be comfortable shipping, right? It's disagreement, it's sexuality, it's persuasion. So much of this technology can address parts of the human experience that 1,000 committees at Google and Facebook don't want addressed, and I think that is one of the interesting opportunities in—

Kevin Rose

100%. I think that's well said, and I think it is the space where we need to invest, because if you think about the pitches that we see on a daily or weekly basis, a lot of the stuff that I see is sanding down the rough edges. It can also just be something where I wholeheartedly believe that one of the bigs is going to dominate that category, and so I avoid those investments. They will never touch the emotional side as much as they should or could—

Anish Acharya

Not should, but that they wouldn't feel comfortable doing so, right? And so those are the categories and the verticals where I think they're defensible by the pure nature of what they're addressing, right? And so that's kind of what you're saying here, right?

Kevin Rose

100%. I just think they're structurally set up to kind of take the soul out of products, and when you talk about categories like companionship, the whole thing is the soul; there is no product without that.

I think the other interesting area where the labs and the bigs are not going to be successful is products that benefit from being multi-model, right? Not multimodal, but multi-model. So Cursor is good because you can use every model inside of it—

Anish Acharya

And Google is never going to ship with Anthropic models embedded.

Kevin Rose

So that also is very interesting. They're sort of constrained to the models that they've developed in-house, and products that benefit from being multi-model are actually really unconstrained.

Anish Acharya

Very interesting. We should dive into each of these things. I think we have 2 great topics to go on. Let's pin the multi-model, but let's talk about companionship. On the companionship side, what do you believe should be built? What have you seen built? And how much of this do you think is fad versus depth? Meaning, it's funny and weird and awkward and strange to have an AI girlfriend.

And in the early days—well, early days, let's call it a year ago—

Kevin Rose

Way back in the day.

Anish Acharya

Way back in the day. Yep.

Kevin Rose

A friend of mine was like, “Hey, go check this out.” It was not something that was X'd about or tweeted about. It was this kind of thing that you went into. And I'll say that I went there and it was models unhinged, right? This is before Grok did it, and you could basically talk to a model and get any type of response that you wanted, meaning in terms of sexuality or whatever you were looking for.

Anish Acharya

How much of that are you concerned about in terms of shaping humanity, replacing real relationships? What lens—how do you evaluate something like that? Do you invest in those types of things?

Kevin Rose

Yeah.

Anish Acharya

This is such a great topic. I wish we had Eugenia here, who founded Replika, because she'd have a ton of thoughts. I'm always going to give you the optimistic take; that's just how I'm wired. So let me give you a couple of my most optimistic takes.

One is, we all know the importance of human connection and the value of it. Maybe the human part is overvalued. You live in an embarrassment of social riches. You have friends, you have professional connections, you have interesting people you can meet. They all want to connect with you, and your biggest challenge is prioritizing. I don't know that that's the experience of the average person in this country. I think that there's a deep loneliness, and any progress we make toward addressing loneliness is human progress and is very prosocial. And I think progress, though, is having a conversation with a chatbot. Do you think that starts to fill that emotional bucket up?

Yes.

Kevin Rose

So you believe that when someone is having a conversation, they are getting a lift?

Anish Acharya

Yes.

Kevin Rose

Probably 10% of what a real human would provide you, but a little bit of something.

Anish Acharya

I think more than 10%. I just think—look, it's like our lizard, reptilian brains. We are wired to have these sorts of emotional, chemical responses when you're engaged in a human-like conversation. We intellectually understand that these are computers on the other side, but you still feel the feelings, and I think that's what's necessary to make personal progress as a result of connection. Do you believe?

So this is my concern. I'll play the doomer side of this. My concern is that one of the things I noticed with these models early on, while I'm playing with them, is that they were very agreeable. And—

Kevin Rose

And emotional well-being—the muscle that needs to be built—is actually not when you're laughing and agreeing with friends and kind of going along with the flow. It's when there's disagreement and the discomfort that comes from, “Oh, I don't agree with you. That doesn't hit me. That doesn't feel right. Let's build a bridge and figure out how to find common ground here.” If you're dealing with models that are just paid to agree with you all the time,

Anish Acharya

Then you're basically—so I'll give an example. I was talking to Tim Ferriss about this. I was taking screenshots of what this model was saying to me, and it was basically agreeing to anything that I put in front of it. I was like, “Hey, what do you think about this?” And it was like, “I'll do that with you.” And I was like, “Oh, my God.” I couldn't believe it, right? I was sending it over to him, and he's like, “We are doomed.”

And his response was that you're not getting any pushback. And so then, okay, when you make the jump to a real relationship—okay, I want to have a relationship with a human—you’re used to an agreeable, kind of subservient thing, and the proxy and the jump don't make sense. And all of a sudden you're like, “Well, that's not as good.”

Kevin Rose

I want to go back to my model. Are we training people to want and favor agreeable models over the real character-building that comes with the emotional side of things?

Anish Acharya

I don't know. I think we just need to dial it in. Everybody knows a human relationship where the other person always agrees with you is not authentic, and it doesn't nourish you. You need to have the tension, the disagreement, the exploration. I mean, we've got to be fair to where we are in the cycle. Yeah.

Kevin Rose

ChatGPT was November '22, right?

Anish Acharya

Right. It's not even November '25. And we're trying to dial in the entirety of human connection and experience and find the right place between not being a sycophant but not being disagreeable for the purpose of it. We're dialing it in. We're going to get there.

And again, because we're so wired from an evolutionary perspective to know what the right amount of tension is, I believe our intuition will guide us. We'll get there. I like what you're saying because we've talked about this on the car ride over here. If you just, for a second, imagine we are in the huge brick-cell-phone era of AI, it's like this is the very—not even the first inning. We're just stepping onto the field of this.

I mean, imagine 20 or 30 years from now. We're going to have a much deeper understanding of what's going on behind the scenes here, what is required to make it work, and we're expecting that on day 1. The expectations are so high. Let's give it some time, you know.

The trough of disillusionment is real, you know, and our expectations are high.

Kevin Rose

Yeah.

Anish Acharya

I also think that I’m glad we’re talking about companionship, but broadly, we’ve had 40 years of technology that extended our intellect and our minds.

Kevin Rose

Yeah.

Anish Acharya

Right. But most of the human experience is actually emotional and subjective.

Kevin Rose

Now we have a technology that extends our emotions and our subjective experience, and it can address that. I love AI spreadsheets. I’m glad that somebody is building them, but to me, that’s the least ambitious execution of the primitive. Let’s start to really address the human experience through this new technology. I think that’s where all this goes.

Anish Acharya

Yeah. Well, it’s early days. We’ll see what comes. I’m certainly looking at those startups. I think a therapist or counselor—somebody on the back end who can give you this partner to bounce ideas off of and kind of push you toward best practices—is really interesting to me. I don’t know if you’ve looked at any of those types of startups.

Kevin Rose

Yes, I’ve looked at a few. I do think that’s interesting. By the way, the ketones are kicking in.

Anish Acharya

Yeah. You feel that? Isn’t it amazing?

Kevin Rose

Yes. Is it just caffeine?

Anish Acharya

No, it’s not caffeine. It’s a full-on—I'll send you the thing about ketones, but they’re a natural fuel source that is not caffeinated.

Kevin Rose

I’m definitely feeling something.

Anish Acharya

Yeah. Well, okay. I think therapy, companionship, all that stuff makes sense. I actually think there’s a really interesting emerging category. You see this with Poke—that’s a great example of it. Huxe does some of this, as well as Sierra’s new company. We both spent time with him. I call it indirect companionship.

Kevin Rose

So what is Poke? Poke is kind of this subjective human front end to your email.

Anish Acharya

An email is like a set of tasks. It’s pretty heavy, and it’s functional work that we have to do.

Kevin Rose

And Poke creates this human overlay on top of it. In a sense, I don’t consider Poke a companionship product, but it’s letting me interact with a functional part of my life through an emotional interface. I think that’s actually a really interesting area for exploration.

Anish Acharya

What does it mean to return to our roots and still do functional work, except through an emotional filter?

Kevin Rose

Yeah. Can you talk about Poke a little bit? What’s the onboarding like, and why are people talking about it?

Anish Acharya

Yeah. It’s so wild. I encourage everybody to try it out. You download Poke. One interesting thing they’ve done is that the interface is actually iMessage, so you’re texting with it. You’re typically only texting with people on iMessage, which subliminally sets you up to expect the Poke product.

Kevin Rose

First, it refuses to allow you to sign up for the product, so you’ve got to convince it that you deserve to actually use the product. Then you engage in a negotiation on price, where it starts at $200 a month.

Anish Acharya

It reads all of your email, so of course it can say, “Hey, Kevin, I saw you bought XYZ. You’re spending a lot on your ketones. I think you can spend $200 a month on this product.”

Kevin Rose

So by the time you get in, even though it hasn’t done anything for you except torture you—

Anish Acharya

You’ve already got this perception of value—

Kevin Rose

Right?

Anish Acharya

And it’s a very interesting experiment in onboarding. If you extrapolate it, I think it’s an experiment in product design in an era where we have emotional primitives.

Kevin Rose

Yeah. It’s fascinating. I love product builders who consider every step of the process, from sign-up all the way through onboarding, and rethink the entire stack.

Anish Acharya

This is an example of something that I don’t know is the long-term best strategy for a product like that—to negotiate SaaS software in real time. But that little feature alone is a great example of something that went viral within a small subset of people, and I’m sure it led to tens of thousands of sign-ups.

Kevin Rose

Just from people talking about that feature—

Anish Acharya

And we’re talking about it now.

Kevin Rose

Right. Exactly. That’s right.

Anish Acharya

But for the product builders out there, I think that’s such a great little way to wedge yourself into the conversation by rethinking part of that step.

Kevin Rose

Yes.

Anish Acharya

I’ve got a related question for you. You’ve both designed a lot of new products, and you’ve spotted a lot of new product thinking. How do you do it? What are the patterns? How did you see it all of these times?

Kevin Rose

I think that on the product side, what I’ve always been drawn to is, for better or worse, the novelty of original thought in certain areas.

Anish Acharya

If it’s something—we’ve talked about this kind of sanding down of the rough edges—that, to me, is not that interesting.

Kevin Rose

But I really respect people who are building something like this price negotiation, where I just haven’t seen it done before.

Anish Acharya

Right.

Kevin Rose

It doesn’t mean that it’s going to be a top-10 app or that it’s going to be a multibillion-dollar company, but if you find that signal in a builder’s brain, it means that they’re going to apply that signal to other parts of the product that are interesting. It means that they will continue to reinvent and reimagine things through a lens that nobody else has.

Anish Acharya

Interesting.

Kevin Rose

That’s enough signal for me to say, “Okay, we will probably turn over a card at some point that is the magic card—the one that’s going to get us that home run or that massive product.” I value that almost above all else, even if the idea isn’t the one that I think is going to hit scale.

Anish Acharya

Yeah. If you have a founder who builds through that framework—“I’m not going to do this just because everyone else has, and I’m not just going to take the path of least resistance and build a better Slack or whatever it may be”—to me, that is very rare to find. When you find it, that’s the type of person I want to back, especially at the seed stage, when you don’t know what’s going to work.

Kevin Rose

That’s super interesting because one of our observations is that it’s just really hard to predict consumer seed. We haven’t done a ton of it for that reason. In fact, our stated approach is “weird and working.” That’s how we’ve tried to invest in consumer. Yet you have been consistently right at consumer seed investing. It’s interesting that that’s what you look for.

Anish Acharya

Yeah. I think that’s exactly right: weird and working. I look for weird first.

Kevin Rose

Yeah.

Anish Acharya

Then, if it starts to have a little bit of smoke, that’s a very interesting signal. Oftentimes, I’ve seen founders do this a handful of times: weird and working ends up failing, but they still have the weird because that’s in their DNA. So they’ll build the next weird and working, and that’s what you want, because they’re going to need several shots on goal. You can’t manufacture the weird. The weird is internal. The weird is, “I just see the world in a different way.” That is the founder who is going to win.

Kevin Rose

Why is weird important?

Anish Acharya

Because in a world where you need attention—we’ve talked about this socially in terms of what draws you in and what draws people into consumer products—consumer is a finicky category. After a certain amount of time, what was weird and working ends up being boring and stale. It’s the reason why Digg is no longer here. It’s the reason why there are a thousand startups that have MySpace or Snap, or whatever the next one is, that will eventually become old and stale.

Kevin Rose

And so, if you want to find the next thing in consumer, often you play with something, and the aha moment is, “Oh, I hadn’t thought of that,” or, “I didn’t feel this. I’ve never felt this way before.” I’ll never forget when I made the investment in Twitter way back in the day. The thesis for me was very simple to see because we’d had bidirectional relationships for the longest time. The MySpaces and all the social platforms that had come before it had this idea of friendship.

Anish Acharya

It was, okay, in order for me to get invited into your world, I would friend you. You would get a request and be like, “Oh, Kevin friended me.” Then you would have the permission. You would grant me permission to see what you were up to.

Kevin Rose

Right?

Anish Acharya

And the beautiful thing about what Jack, Ev, and Biz did was say, “Okay, we’re going to take that and just open it up.” They said, “Actually, you can just broadcast out and say, ‘I have something important to tell the world,’ and everyone can follow it, whether they know you or not.”

Kevin Rose

And it was that one simple little product tweak that said, “Okay, it’s no longer about bidirectional communication. It’s about this idea of broadcast to all.”

Anish Acharya

And when you see something like that, it unlocks not only a massive product opportunity, but a market opportunity, because you’ll never become friends with the celebrity, but you can sign up for their broadcast.

Kevin Rose

And that was the weird thing.

It seemed odd at the time.

Anish Acharya

Was it weird? I was going to ask.

Kevin Rose

Yeah, it was weird. I remember signing up for Twitter for the first time and just being like, “Okay, well, where—what do we do here?” They had this thing called following, and I was like, “What is the following thing?” It sounds so obvious now, but it was weird at the time.

Anish Acharya

I think that is going to be so important for consumer, because what seems weird at the time eventually becomes mainstream, and then everyone just assumes that that was always the case, right?

Kevin Rose

Yes. And that's what I'm looking for: that weird thing that will eventually become so mainstream that we'll assume it was always a primitive that existed forever, when in reality it was new and novel at that time.

Anish Acharya

I love that. Does that make sense at all?

Kevin Rose

It makes perfect sense. It's very interesting.

Anish Acharya

You know, it's also that founders have to push themselves to the edge of being embarrassed, potentially.

Kevin Rose

Yes. To design genuine new things. Otherwise, it's very derivative. It just has to be. And that is what all the X-for-Y companies typically are.

Anish Acharya

Right. Exactly. Like when you and I were at GV and we did the Uber investment, how many startups would we say, “I'm the Uber for this”? And you're like, “Oh, God, another one,” right?

Kevin Rose

And then, yes, there are the DoorDashes and some of the others that are built on the same kind of similar primitives, but it's nothing like it was. It was so weird to get into the back of somebody's car. Do you know how odd that was? I remember hailing an Uber and being like, “Okay, someone is pulling up at my house, and I'm going to get in the backseat of someone I do not know.”

Anish Acharya

Yes.

Kevin Rose

Every day when we took the ride over here, we didn't even bat an eye. We didn't even look at the guy and say, “Are we safe here?” It was just a given, right? But it was so awkward at the time.

Anish Acharya

Well, so this is what I love about that era. We talk about that era as a part of history and we say, “Oh, it was early mobile, and it was remote control for the world, and software was eating the world.” We have all these things, and they're all true and they're all valid. The most interesting part of both Airbnb and Uber was that there were these dramatic changes in human behavior.

Kevin Rose

We had all been raised being told 2 things: never get into a stranger's car.

Anish Acharya

Never sleep on a stranger's couch.

Kevin Rose

Yes. Yes. Exactly. And then all of a sudden you started doing it, and guess what? The strangers were kind of pleasant.

Anish Acharya

Yeah. And it was just this incredible unlock for the world and this sort of positive view of human trust and strangers.

Kevin Rose

That was a big change in consumer behavior.

Anish Acharya

Yeah. And that's so exciting, because I think we're going to see more and more of that.

Kevin Rose

One of the things I've done—I'll just be a little bit vulnerable and transparent, because that's what's fun about podcasting—is that one of the things I get in a lot of trouble for is that, if I get in a disagreement with my wife, I will take some of that shit to ChatGPT and be like, “Am I right here? What's going on?” I'll say, “Use the framework of Terry Real.” I use some of these professional therapists and say, “Help me analyze this.”

The mistake I make is that I paste that back into the conversation. But the point is, that's weird and awkward. She didn't like it. She's like, “Hey, this isn't cool. You're going to this—” She calls it “my bot.” “You're chatting with your bot about our relationship,” blah, blah, blah.

But I've talked to enough people now that I know this is a trend. People are looking to AI for validation: “Help me through this level of thinking here. Help me figure out: am I in the wrong here? What am I doing?”

I see a world where the bot is in the room with both of us as we're having a conversation, or as we're on video, or as we're debating something. We're like, “Oh, this is heated. Let's turn it on. Let's let it watch us,” and then give us feedback on how we're doing as a third party—hopefully an unbiased person—sitting there and evaluating this in real time. Is that weird and awkward right now? Absolutely.

Anish Acharya

Yes.

Kevin Rose

To your point about how these things evolve over time, 10 years from now, will that tech be good enough that we'll consider it not just a healthier thing for our relationship? I think so.

Anish Acharya

100%. I think that's coming. Ideally, the Alexa in your kitchen is passively observing your family and then perhaps is just letting you know, “Hey, your daughter was trying to talk to you about something. You weren't really paying attention.”

There's all of this stuff that can just be in the oxygen around us, and today that seems unusual. What about a kid's classroom? My son goes to an amazing school, and I'm very grateful for it, where they have 2 teachers. One teacher is focused on academics, one on SEL, social-emotional learning. What an amazing thing for every school in America to have.

And the way we're going to get there is not by paying for 2 teachers in every classroom. It's probably some kind of vision model that's privacy-first that can observe the social interactions of children and let parents and teachers know what's going on.

Kevin Rose

This idea of always-on recording—you and I have had a debate about whether we want to get to the multimodal thing real quick, though, before we go in there. Let's—

Anish Acharya

We should. I also want to get, since we were talking about internet history, your take—your story that you've told me, I think privately, about the Digg button, the like button, and the story there.

Kevin Rose

Yeah, we can talk. Where do you want to begin? You want me to talk about that?

Anish Acharya

We're in a history. Tell me: the Digg button was a very new and interesting idea in social news. I think we're sort of in a safe place 20 years later. Talk about how it influenced the like button.

Kevin Rose

So, how did the like button come into existence? What was it like back during that time? I think in the early days, when we first had something called Asynchronous JavaScript and XML, or Ajax—to get a little bit geeky—it was the first time, even though this sounds super archaic, that you could actually click a button, send out a request for a server response, and get something back into your browser. It used to be a world where we'd have to refresh the page to see anything.

And so this idea that content could talk to a server and come back to you and display something new was just completely exciting and novel at the time.

Anish Acharya

Mm-hmm.

Kevin Rose

I had seen a bunch of sites that were allowing for user submissions, like Slashdot, but they wouldn't show you what content had been submitted. So it was user-generated content in some sense, but there was still a gatekeeper to that.

There were social bookmarking sites like Delicious and others that would count the number of people who had bookmarked things, but there was no way to just say, “I think this is cool. Let me tap on it and show my vote of interest in something.” And so, when Digg launched in late 2004, it was the first time I had ever seen—because Ajax had just been out for a couple of months—that anyone had voted on content. Obviously, I didn't invent voting, but no one had done it on the web.

I thought, “Wouldn't it be cool if you clicked something and you saw the number go up, and that number was the number of humans who had actually clicked on something?” Wisely, just by luck, I happened to be in contact with enough people that they were like, “Hey, you should go out and file a patent on this.”

And so I went and filed a patent on it—not because I wanted to enforce our own liking, but because I was told and advised to do that as a defensive practice, so that no one could go out and patent it—one of the big guys could go out and patent it—and say, “No, you can no longer do this.” Even though I had first-use rights and would have been able to do it, I went and did it, which was great. It started off, and it became really big. At that time, we were larger than Facebook traffic-wise.

Mark and I shared a common investor in Greylock. We had a lot of overlapping friends, and he was like—actually, it was David Sze from Greylock who was like, “Hey, you should meet Mark. You guys should hang.” So we went out and grabbed dinner, and we hung out a couple of times. We had dinner a couple of times, and he came to my office.

He drove up and came to the Digg office, and I'll never forget it because he came into the office and he was so young at the time, and so was I. No gray hair back then. He was sitting on the ground and just wouldn't sit in a chair. He was sitting on the ground.

We were just talking about what it meant—what liking was all about, what digging was all about. I said, “Well, the way I see it is that this is a social signal that will feed back into an algorithm that eventually gives you more stuff that you would like to consume.” And that was the patent that I had gone and filed.

Mark didn't have this at the time. There was, I think, a way to poke someone on their profile, but that wasn't really a like; it was just to say what's up. And then, a few months later, they had rolled out the like button, and that was kind of a big part of what they pushed as a similar thing—a social signal to feed back into the algorithm to give you better content.

They obviously hit a scale. We were serving billions of Digg buttons per month because we had them integrated into websites—you could actually put a widget into your site back in the day, and there were Digg buttons all over the internet.

It was cool. I was never offended by that. I was like, “Oh, that’s awesome.” He made it his own, called it “Like,” and it made sense to apply that to what he was doing.

Anish Acharya

I know there were other people at Facebook who worked on that. It was interesting because I saw one of the engineers who worked on it in an interview, and he credited Digg as a place where they had seen that first, which I thought was really nice.

It’s strange because even though Digg went out of business and failed for that version of the site, when all was said and done, the asset of Digg sold for pennies on the dollar. It wasn’t really worth a whole lot.

Kevin Rose

But the patents ended up being worth millions of dollars, and LinkedIn bought them from us.

Anish Acharya

Really?

Kevin Rose

So LinkedIn bought the patents. The thing at the end of the day was the defensibility and patents around the actual social Digg button.

Anish Acharya

Wow.

Kevin Rose

Which LinkedIn ended up buying. But yeah, it was a really wild time to sit there and come up with that idea.

Not that voting was novel, but I just hadn’t seen it applied. And then we applied that to comments as well. I’ll never forget that. It was different from the Digg button, but equal in importance: I had created the comment system with Daniel Burka. We were sitting there designing it, and we were like, “Okay, well, we should apply digging and burying to comments because that makes sense.” People should be able to vote comments up and down. That had never been done before.

Anish Acharya

Mhm.

Kevin Rose

And we were like, “Okay, this makes sense.” Daniel and I were designing it, and I was like, “What if, after a certain number of buries, the comment kind of shrinks down?” He was like, “Oh, that’s cool.”

We riffed on that, built the design, deployed it, and rolled it out. We had it hard-coded so that after 5 downvotes, it would shrink into a single line. You’d just see who submitted it, but we color-coded it so it looked disabled or out of the way.

We rolled it out, and 3 hours later, I noticed that one of the comments had negative 200-some downvotes. I thought, “The product’s broken. Something is wrong. We have a bug in the code because it’s meant to shrink after 5. Why would it be negative several hundred?”

We looked and couldn’t find a bug. We couldn’t find a bug. Then we realized what had happened. We talked to some users, and they said they wanted to see the train wreck, so they exposed the comment. They were like, “Oh yeah, that guy’s an asshole.” Then they downvoted it again.

At that time, people were like, “Why is that person getting so many downvotes? They must have said something crazy. Let’s take a look.” Then they’d see that it was horrible and downvote it. It immediately showed me that people are attracted to the carnage. They want to see the destruction and the bad side of the internet.

I was like, “Oh, God.” As a product builder at that time, I would have thought people would say, “Negative 10 votes? I’m not going to look at that.” I had these rosy glasses on, thinking people would see it as something negative and move on. But they wanted to see the carnage.

Anish Acharya

There are so many interesting things there. First, the story of your connection to the Like button is fascinating. That’s a piece of internet history, and sort of a piece of human history, right?

What are the implications of the Like button, as inspired by the Digg button, for all of society? We’ll never know, but I think it’s certainly something. I also love the ethos of you not feeling offended by them being inspired by it, right?

Kevin Rose

Yeah. Listen, I have a lot of respect for Mark and what he’s created. I don’t agree with his direction around glasses and AR/VR. I never have. I’ve been anti-AR/VR for years. I’ve never made an investment in the space. I’ve always avoided it altogether because I think we’re not considering the social side of things enough—the impact it has on those around you.

That’s another topic that we could get into. But I think he’s obviously a brilliant man. It was really fun to have those moments where I’ll be able to tell my kids I was in those dinners. I was having these deep product-sparring sessions around some of the product thinking behind what he was building.

It’s very special to even have a seat at that table. I feel very lucky, as someone who came from nothing, to be able to sit with some of the great product thinkers of our time. I would put a bunch of people in that camp, like the Systroms and Reid Hoffman, and all the people that I’ve been able to brainstorm with over the years.

To sit and hear great minds dissecting all the things that we build and the social impact they have—it’s fascinating stuff. It’s so fun.

Anish Acharya

You must feel this way with Marc and Ben when you get to sit with them.

Kevin Rose

Marc and Ben were involved in the early Digg and helped me through that stuff. Gosh, to sit down with Ben and listen to his steady hand and sage wisdom—

Anish Acharya

Yes.

Kevin Rose

—you just learn so much from that dude. It’s insane.

Anish Acharya

For sure. There’s a sense of seriousness and purposefulness, but also some playfulness. It’s amazing because if you think of the history of when you were involved in tech, we were just weirdos in Silicon Valley back then. It was like the dog chasing the car, and now we’ve caught the car. We are the car.

Technology is something that’s really important for humanity and society, and I don’t know that anyone who was building it at the time appreciated that.

Kevin Rose

No, and none of us had any idea. It’s funny when you hear these stories about the bad sides of social media and how these platforms have given the microphone to certain voices, and how much hate there is.

I agree with that wholeheartedly. There are a lot of things that we need to fix, or at least try to fix. But I can tell you, as someone who was sitting around watching all these builders—whether it was the Twitters or the Facebooks, or you name it—no one knew this was going to be the case.

Nothing about this was intentional. It was like, “What does this unlock?” It turns out it unlocks both the good and the bad.

Anish Acharya

And I’ll tell you the good. When I was growing up, maybe you had the same experience, but there was 1 way to be cool. I was born in 1979 and grew up in the ’80s in a small town in Canada. You either played football or you didn’t, and if you didn’t, everybody knew what the social hierarchy was.

When I was growing up, they said everybody’s cool in college. Why? Because you’d find your sense of community of weirdos.

Kevin Rose

Yeah.

Anish Acharya

But the beauty of the internet now is that you find those weirdos online at any age. I think there’s an acceptance of people’s own individuality that didn’t exist 20 or 30 years ago.

Sure, there are some edges on the internet, but I think the benefit to humanity of people finding their like-minded people early is really significant. The power of microcommunities is only going to become more important over time.

These very small, in some sense hopefully walled gardens, are places where you can go and have private discussions. If your weird isn’t so weird, you just need to find the people who are into it. If you’re into Japanese woodworking and you can find 5,000 other people who are also into that, that’s a very powerful network, right?

Kevin Rose

Yes.

Anish Acharya

That’s the exciting side of all this. You’re a product builder. You’ve been a builder for a long time, and you’ve launched and sold companies. What are you doing these days? What’s your outlook for how products are being built, and how has that evolved? How does that play into your investments as well?

In some sense, we’re entering a really weird era—not weird, but new—where someone, even a designer who has no experience on the engineering side, can prototype, build, and launch. It’s deputizing a wider base of people to actually roll out products.

Kevin Rose

I think it’s incredible. I’m so fired up. I haven’t felt this way since I was on my computer working on my BBS, with my mom yelling at me, “What are you doing down there? Come up for dinner.”

That’s the level of enthusiasm I have right now because it feels like everybody is unlocked to do what they want to do. I think there’s a set of people—or a part of us—that will be creative, and a part of us that will want to be productive and emotional, and all of it is getting meshed together.

It’s the best time that I’ve ever experienced in my career, hands down.

Anish Acharya

Does it worry you that entrepreneurs can go and build a startup, launch it, get product-market fit, and not have to raise venture capital?

Kevin Rose

No, it doesn’t worry me. I think there are businesses that will be built by 1 person and reach $100 billion in revenue.

That’s awesome. Will they ever need venture capital?

Anish Acharya

Maybe not. And that’s okay. We have 1% of the software that we need in the world that we’re going to have. We’re just getting started, and of course there are going to be businesses that don’t need venture, and that is fantastic.

For example, in the ’90s, there was this big movement of digital small-business owners, right? You could sell shareware online. You could do all of these things to have these sort of corner stores on the internet that actually worked. What happened in the 2010s was that everything moved to centralized networks, and all the economic value was extracted by the networks. You couldn’t really do that—maybe you could be a creator. That was probably the most ambitious form of digital small business that you could have in that era.

And now, because consumers are paying for software, and because anybody can make software, I think we’re going to see this renaissance of people creating million-dollar run-rate businesses as individuals. And that’s awesome.

Kevin Rose

Do you think there’ll be fatigue around subscriptions? One of the things that I feel personally, maybe more so on the Substack level, is that there’s $5 everywhere, right? And if we see micro-subscriptions across the board, you’re going to be like, “Okay, wait a second. I wake up to several hundred dollars per month based on all these tiny micro-subscriptions.” Is that a concern?

Anish Acharya

It’s a good question. We’ve talked about micropayments for 30 years. It feels like it’s never really worked. But maybe it’ll work this time. So that feels like part of it, because I think there are new protocols where payments can be directly embedded in API calls. I’m not an expert in crypto or Web3, but I understand that those protocols exist.

I think there are potentially new models for monetization. And look, I think the second thing is that software can do so much more for us than it could 5 years ago. It’s incredibly ambitious. So, sure, maybe I’ll have more subscriptions, but the parts of my life that are addressed by software are so much more significant. I think we’ll be happy to pay for them.

Kevin Rose

If you’re an entrepreneur—or anyone, actually, because anyone can do this these days—and you say, “Hey, I want to play. I want to go. I want to build,” what do you see? What are the tools that people are using out there? What are you personally using to build? What does your current stack look like?

Anish Acharya

Yeah, and I’d love to hear yours as well. So I’ll tell you my productivity stack, my coding stack, and my creative stack. Productivity is actually pretty simple. I love the Perplexity Comet browser. It’s really well done. It’s got this consumer RPA feature called Assistant built in. That’s actually very useful day-to-day. It’s really important to me, and I use it all the time.

Kevin Rose

Do you use it for search? Because that does replace your search with Perplexity.

Anish Acharya

I do use it for search when I don’t know exactly what I’m looking for. I find that for navigation queries, Google is still better. But I definitely do use it for search, and that’s an interesting topic: What are the implications of a new front door for the internet? For 20 years, that was Google Search; now, maybe it’s language models.

I use Notion Notes a lot to capture meeting notes. I think that’s very useful. I love Deep Research.

Kevin Rose

Same. I started using that recently, by the way—Notion Notes. I was using Granola for a long time, and I think it’s a great product.

Anish Acharya

Great product.

Kevin Rose

So I’m torn because Granola is freaking awesome. But Notion Notes are built right in, and it automatically launches. I’m like, well, then all my notes are in Notion, which is kind of nice.

Anish Acharya

If you’re in the Notion ecosystem, I think it makes a lot of sense. If you’re not, Granola is a fantastic product. But I’m a fan of both, and I just love the capability of not having to handwrite notes.

Kevin Rose

Right.

Anish Acharya

Deep Research is cool. I’m actually a big fan of the Grok DeepSearch feature because it can search X. It’s got a very up-to-date index of X.

Kevin Rose

Tell people how you use it, because I thought this was very interesting from a trends perspective.

Anish Acharya

If you have a query like, “Hey, what were the top AI memes of the last week?” and you go to ChatGPT or Anthropic, the models just aren’t trained past a certain date. They can use the web search tool, so they can do some of this, but Grok is hyper-up-to-date with what’s happening on X beyond just the web search tool. I find it very, very good for timely information. And look, let’s be honest: Most of the interesting things that are happening in our industry, and often in the world, are happening on X.

Kevin Rose

Mhm. Yeah, it’s more of that real-time nature of what’s unfolding. Do you have set queries that you go to to keep up with what’s breaking on X?

Anish Acharya

I’m always interested in what’s breaking culturally and what’s breaking technically. The memes are the best proxy for culture. That’s often what I look for. And technically, think of what’s happened just in the last 2 weeks, right?

Kevin Rose

Claude Sonnet 4.5, OpenAI Dev Day with ChatKit, AgentKit, and the Apps SDK. Gemini 3, I think, is coming next week. Sora 2 with the Sora 2 app. That’s 2 weeks.

Anish Acharya

I know. It is an embarrassment of riches. It’s awesome.

Kevin Rose

As an entrepreneur and as an investor, I find it insanely daunting to try to keep pace with the number of releases that are coming out. How does a16z handle this internally? On your consumer team, how many people are there?

Anish Acharya

The core investors are probably 6.

Kevin Rose

With associates and everything? That’s it? So, 6 people? What’s the process for surfacing something interesting to you? Where are they looking for signal? How are they keeping up? For example, let’s just say this Agent Builder—I played with it for the first time yesterday. That’s going to take an hour of your time if you’re really going to go deep on it. If something’s coming out every 2 or 3 days, or once a week, how do you work with your team to stay up to date with what’s going on, given the pace at which things are rolling out?

Anish Acharya

Yeah, we just work our asses off. We really do. We commit to trying every product.

Kevin Rose

But what does that look like? Do you have an associate who comes to you and says, “Hey, I played with this. Take a look. I’m going to grab 20 minutes of your time because I want to bring you up to speed on something”?

Anish Acharya

Well, it’s interesting. You know, the sort of associate-GP model—we’re pretty egalitarian, actually. People cover different areas. My partner Justine has a real specialization around creative tools. She’s gone to the edge of the internet on creative tools. My partner Brian, who looks at a lot of things in social—anytime there’s a weird, working new social product, he’s there. Olivia does that for us around productivity and areas like voice.

I’ve been spending a lot of time in AI coding. I think I’ve probably got 50 subscriptions for app building. I’ve just tried them all.

Kevin Rose

Wow.

Anish Acharya

So we all commit ourselves to subareas, and we try to cover them very thoroughly. But look, we just hold ourselves to a really high bar of trying everything, because our belief is that you cannot have an opinion until you’ve actually tried the product.

Kevin Rose

I think that’s so wise, because there’s just too much for any one person to try and wrap their heads around. Do you have briefings where you share learnings? How do you make sure that knowledge gets transferred broadly within the fund and at the GP level?

Anish Acharya

We definitely have a lot of active conversations about it, but the truth is, so much of our best thinking we publish. We really do. If you read the essays and follow us on X, we’re talking very transparently about what we’re thinking, what we’re learning, what we believe to be true, and what we’ve changed our minds on.

It’s interesting, because as a founder on the outside, I always assumed that VCs knew all these secret things that they didn’t tell us. Maybe that was even true 10 years ago. But now, I think we’ve moved, in a very good way, to a world where investors are talking very actively about what they’re seeing. I think that’s a great signal for founders.

Now, the signal is always a lagging indicator. So, for founders to develop a weird idea, definitionally, no one’s talking about it. But it’s great to know that there really aren’t that many secrets. It’s all being published out there.

Kevin Rose

On the coding-tools side, you said you’re seeing a lot and have so many active subscriptions. What is your preferred stack these days? If someone was getting involved in coding for the first time and wanted to start playing, what do you go to on the coding side?

Anish Acharya

Man, I’d love to hear your stack as well. Look, there are so many tools, and they’re all pointed in different directions. My view on AI code and software is this: This is not a market; it’s an industry. The whole software supply chain is changing. The cost of creating software is collapsing.

We have 1% of the software we need in the world. We’re going to build the other 99%.

Kevin Rose

Why do you say that, dude?

Anish Acharya

Because there are so many parts of the world where the ROI didn’t make sense for creating specialized software, right? In so many parts of our lives, by the way, some of those parts of our lives may not be serious.

It’s like my wife is working on a manifestation app for her and her 5 friends.

Kevin Rose

Right?

Anish Acharya

5 years ago, I mean, what are you going to do? Go raise venture capital? Is she going to hire an engineer? Now, in her free time, she’s been using Base44. But there are a lot of these other products that are sort of for mass-market consumers. Replit’s another great one, where you can just make a product because you want to. You could make a product that’s disposable. You could make a product for a fun bachelor party weekend. You can do things that aren’t justified by the 5-year-ago ROI, and now it’s just typing a prompt into a box.

Kevin Rose

It’s so well said because there are so many times when, if you think about what it would take to create an app that does something very niche to me and my friend group—

Anish Acharya

Yes.

Kevin Rose

Five years ago, if someone came to me and said, “Hey, Kevin, you get these ideas all the time. I have an app idea. I have an app idea,” I’d say, “All right.” And the best way to shoot them down back then was always, “Well, that’ll cost you about $75K to get off the ground.” They’d say, “Oh, well, it’s not that big a deal. I guess I’m good.”

But now that’s no longer the conversation. It’s like, “Oh, here, go play with Bolt—or, you name it, Lovable—and you can deploy this in a day.”

Anish Acharya

Those were tough even 6 months ago. It was pretty hard, actually. These services existed, and I was using Replit or Bolt or whatever, but I was like, “It’s just not quite there yet.” But now, even in the last few weeks, I would say that with Sonnet 4.5 and Gemini 3 coming, we’re getting to where it’s no longer what it used to be.

Kevin Rose

It used to be that I’d go into v0 and spend 20% of my time putting together the scaffolding. Then I would connect to the database, and a lot of that was bug squashing, which was another huge piece of it.

Anish Acharya

Yes.

Kevin Rose

And the vast majority of my time was still bug squashing. That window is collapsing. It used to be that the bulk of the work was just that final 10%, and now that is going away.

Anish Acharya

Tell me about your setup, Kevin, because we were together last weekend. I saw the way you were using v0. Talk a bit about it.

Kevin Rose

Yeah, I think with v0, this is a product that was largely built to quickly put together a beautiful design, a very simple design, and a framework for any new app. So you can go in there and discuss what you want to have built.

I liked it because I could start with a piece of paper. I could draw a prototype of how I think something should function, take a picture with my phone, attach that as an image, and say, “Can you build something like this that does X?”

It puts together components because, as it’s built in the Vercel ecosystem, it’s largely going to build components for Next.js, which is a fancy way of saying that’s the server that serves all that stuff up. Then you can take those components, download them, and drop them into Cursor.

Cursor, for me, as someone who leans more technical, is a better solution because I like to be in the nuts and bolts of how things are being built. I would drop those components in there and then basically say, “Okay, put together this and actually create a real app behind the scenes here.”

It starts building things and finds where the missing pieces are. I can connect up Supabase and have a Postgres database tied to it, and then I’m deploying everything out to GitHub, which automatically gets deployed to Vercel. That means I have an active app that’s up and running.

There are certainly easier ways to do this if you’re nontechnical. You can go the Lovable, Bolt, or Replit route. There are probably 5 or 10 others that are playing in this space.

The thing I’ve been doing more recently, though, is dealing with the dead ends that you still run into, where something isn’t working. It can be insanely frustrating if you’re not technical. You don’t know how to self-diagnose it, and you’re like, “Why isn’t my authentication working for X?” You just keep hitting the same model over and over again.

The nice thing about the way Cursor functions is that you can install something and have multiple models running. I’ll have one model on one side, which is the Cursor built-in chat, set to Sonnet 4.5. On the left-hand side, I can have Codex from ChatGPT. If I run into a problem, I take that problem over to the other side and have it work on it, too. If I put them against each other, you can typically get to a solution pretty quickly.

Anish Acharya

That’s great.

Kevin Rose

And so I’ll break through those walls and march toward something that’s actually ready to deploy to production.

Anish Acharya

I love that point. Talk a bit about how you do the design exploration in v0 of individual components.

Kevin Rose

Yeah. One of the things that I always like is a good amount of visual flair and touch on things. You saw something last night when you came over to my house and we were showing each other our vibe-coding progress.

One of the things that I’m exploring right now is chat around objects of content. They could be stories; it could be all kinds of things. I want to figure out how to select an object and bring it into chat in a very fluid way.

I think, at least in the consumer internet, one of my spidey senses is for new primitives for how things flow in and out of conversation. One of the things that you have to figure out is the emotional vibe: Does this feel right? Does this feel new and interesting? Does it unlock more productivity or a better way to have a conversation about something? You have to try a bunch of different things.

So what I’ll do is take one thing where I want to figure out the best way to collapse and quickly jump in and out of the story. I’ll take that over to v0, give it the screenshot, and say, “Come up with one way.” It’ll create something, and I’ll be like, “Okay, I kind of like this.” I’ll tweak it a little bit 10 other times, so I’ve gone through a bunch of iterations and have that one way.

Now the big unlock is to say, “That’s great. Give me 20 other ways to do it that are completely novel and unique and don’t have anything to do with the first way. Put them all on a single page.” It’ll churn for 3 or 4 minutes, and then you have 20 different ways.

Now I click down: “That was a weird interaction.” Go down to the next one: “Ooh, I like how that kind of zoomed this way and brought it off to the side. Whoa, that would—no, that’s not going to work.” You just keep going down, and you’re like, “Oh, I like number 3 and number 8.”

Anish Acharya

Yes.

Kevin Rose

“Give me 10 different ways to do number 3 and 10 different ways to do number 8.” Now you’re getting deeper and deeper. You take a little from here and there: “I like the zoom on number 3, but I really like the fade on number 8.” This is the conversation you have with the LLM.

By the end of the day, you’re left with something that is truly unique and different. It’s through telling the AI to take that idea and give you 20 different versions of it. Then you just take that little freaking component, drop it in Next.js, and you’re off to the races.

Anish Acharya

What I love about this, first, is that it’s such a fascinating workflow. But also, you’re not thinking about ROI. You’re not thinking, “Oh, let me talk to the designer and ask them to come up with 20 variants. That sounds like a lot of work. I better prioritize.” Instead, you’re able to go infinitely deep on something seemingly trivial and have this level of polish and craftsmanship that just wasn’t justified 5 years ago.

That’s where we’re going with software.

Kevin Rose

Well, what’s funny is I have this little interaction where you can heart something. I’m thinking more about the little personal forums that I’m trying to build. One of the things I wanted the heart to do was just explode and fade out. I came up with a way to make it do that at an angle, and it’s all vector, so it just does it beautifully.

The emotional connection to that little, tiny nugget—that little atomic unit of “Wow, that was a fun interaction”—is important. I want surprise and delight peppered throughout all the products that I build because I think it really gives the product a depth that you can’t find anywhere else. That’s what I’m always looking for.

Anish Acharya

So cool. Very cool. So, how are you using it?

Kevin Rose

I’ve been using a lot of the same products that you’ve been using. I’ve been using v0 for a lot of initial explorations. I use Replit and Base44 for things that I need to do fast and have working.

Anish Acharya

What’s Base44? Why Base44? Why that one?

Kevin Rose

I think Base44 is an interesting company. It’s a one-person company that was acquired by Wix for $80 million. Philosophically, they’ve talked about this approach of “batteries included,” which is that when you’re using these code-generation platforms, you shouldn’t have to—especially if you’re a mass-market consumer—you don’t know what Supabase is, and you don’t want to know, right?

Everything should just work.

And I think the characteristic of that is that there are a certain set of apps that the platform simply won't generate. If you want to do some complex data-processing thing, this is not the platform for you. You want to do—I have a fun little Instagram clone for cats called Catsstagram for my kids and me, and it's super fun. It's super easy to build. Base44 one-shotted it. I deployed it, bought a URL for it, and it works.

Anish Acharya

We can cut this out later, by the way. It's a little embarrassing, but it's fine. Yeah.

Kevin Rose

Dude, it's great. It's just that things work, even though the things that you can do are probably less ambitious. Yeah.

Anish Acharya

So, I think there's this sort of spectrum of how ambitious it is versus how batteries-included it is?

Kevin Rose

Yes.

Anish Acharya

And for simple things, fully batteries-included is awesome. Then, for really ambitious things, I use Cursor; I use GPT-5 Codex, both the model as well as the CLI. I use Sonnet 4.5. All of these products are the things you need to use to be ambitious.

Kevin Rose

Convex was something that you turned me on to, which I think is quite cool. Can you speak to why you chose that database?

Anish Acharya

I mean, I'm speaking sort of outside of my area of specialization, but it's a Series A that my partner Martin led. It's a real-time database, so it's great for applications like chat.

Kevin Rose

And how fast you got chat up and running with vibe coding is insane to me, because I had built a chat thing on Postgres, and to do WebSockets and state management—all that—was a pain in the ass. You had it up and running in minutes.

Anish Acharya

I mean, it's just the nature of the product, I believe, of the database. So, it's really, really good for real time. I think the second thing is you define and interact with the database in code. So, there's no going to the dashboard to do an insert in the SQL table. It's just very, very clean.

So, look, I think this is the magic of vibe coding. You can explore all of these things. You don't have to become an expert in Convex.

Kevin Rose

You don't have to become an expert in TypeScript. You can just try it.

Anish Acharya

It's so cool.

Kevin Rose

I love it. What else is in your stack? I know we kind of cut off a little bit there. You had said that Notion, and I'm assuming you're using—what else?

Anish Acharya

Yeah. So, the other thing I'll just speak to is that, because I spent a lot of time with AI music, I love AI music. It's very, very exciting. I believe that anyone who's ever picked up an instrument has wanted to play it well. But there's this sort of technical aspect to playing music that's similar to the technical aspect of coding, right? How much unmade music is there because people don't know how to play instruments?

I think AI, at a minimum, is an instrument that lets people express their musical desires—perhaps something more important than that.

Kevin Rose

Is there anything cool there on the music front? I played around with a couple of them, but I haven't seen anything that has been transformational.

Anish Acharya

Text-to-song is where all of this started, with Udio and Suno, a year ago. Text-to-song is cool, and I think it's an important part of the consumer use case, but you kind of want to go deeper and be able to refine it further.

And now we're seeing all the products. I played with one called Mureka this week. ElevenLabs has got a really good product. Suno itself has actually launched a DAW within its product. So, you can start to do things that are more ambitious within these music products. It's really, really inspiring.

I've also been making remixes of music videos. I did one called “Impossible Tiny Desk,” which was The Notorious B.I.G. doing the NPR Tiny Desk series.

Kevin Rose

That's amazing.

Anish Acharya

I used Hedra for it. I used Demucs for stem separation. It wasn't very complicated to make, and you can just experience this moment that you couldn't otherwise experience. I've also been doing ones of 90s music videos. So, we did a little remix of Nirvana's “Smells Like Teen Spirit,” and I generated all the video in Veo 3.

Kevin Rose

It's so satisfying. And you know how many people saw it? 10. But it doesn't matter, because I felt fulfilled making it.

I saw that there was a video that went around probably 2 or 3 months ago where a music producer—and it was a couple of people—went from prompt to album artwork to a published song on Spotify in a few hours. They made a completely fake person, and the song sounded pretty awesome.

Anish Acharya

Yeah.

Kevin Rose

And it was just—God, I have to imagine there's a massive opportunity here to unlock creativity if they get the right tool, you know.

Anish Acharya

And it should be able to go in and sculpt that song and kind of hone it to your own personal taste via your prompt. Is that where you see things going?

Kevin Rose

I do, and I'm very—I'm very—there's, I think, a lot of the conversation, unfortunately, has been about “slop, slop, slop.” But I think if you look at music, music is a sort of adaptive system that changes because of culture.

Let's say we had a model, and let's say we trained the music model with every genre of music right up until hip-hop, but not hip-hop. Would it infer hip-hop? No. You needed the Bronx. You needed Queensbridge. You needed New York culture in the 70s to have hip-hop.

So, culture is such an important part of music that you don't just get a model that knows all the music we're ever going to make. Our lived experiences are what inform the next genre of music. And that's why I'm so bullish on it.

Anish Acharya

Yeah. I don't know that AI would build brain rot if it just—my kids are so into that crap. I'm just like, “Oh, my God. No one should listen to this.”

Kevin Rose

I'm pro. I'm pro.

Anish Acharya

You're pro brain rot. All right. One of the things I wanted to chat about—I'm sure—do you have more stuff to jump into? I would love to talk about the idea of always-on recording and the social impacts.

Kevin Rose

I wanted to ask you about the kind of trend spotting.

Anish Acharya

Okay, whatever. You start first. Yeah.

Kevin Rose

Yeah. Yeah.

Anish Acharya

So, one of the things I've known you forever, and the people that know you, Kevin, is that you're always early to important new consumer movements. So, when you change your mind about something, 1, 2, or 3 years later, the rest of us change our minds about that. And you've done that consistently, right? With small things, maybe small things like coffee, and with really important things like media. I mean, you were years and years ahead of the rest of the technology industry in terms of embracing media.

What's coming next? How do you know what's coming?

Kevin Rose

Well, some of it is this idea of saying no to things that you don't think are going to have any traction. I did a lot of that. When everyone was going heavy into VR and AR, I kind of avoided that. It's a little pessimistic, and it's not necessarily predicting the future, but knowing how not to spend your time, I think, is a big, big piece of it.

At the end of the day, I really like what Ryan Hoover did in creating the Weekend Fund because it was actually based on a Chris Dixon quote where he said—and I'm paraphrasing—“What the geeks are playing on the weekends will become mainstream.”

I thought that was a brilliant quote from Chris because he also was very prescient. He's so good at predicting the future and seeing things before anyone else. The only way to find this stuff is to have this inherent childlike drive that says, “I must play. I must play.”

It's not something you can tell someone to do. You just have to be constantly at that edge of what is possible and always be kicking the tires on things. If that feels good to you, if that feels like something that doesn't feel like work, as it does for me, then I think you will naturally be led into the next big thing. But it can't be a job or something someone tells you you have to do. It just has to be driven from personal curiosity.

When I was a little kid, there was a show—God, I hope I get the name right. I think it was called Beyond 2000 or something like that. Do you know what I'm talking about? There was a TV show, and all it was was it would just tell you for a half hour—and it was probably wrong 99% of the time, because they'd talk about flying cars—but they would just tell you where they thought things were going and try to predict the next 20 years.

I was enamored by that. I'd sit there and be like, “Wow, we're going to have flying cars. This is crazy.” But every episode was just a different vertical of what the future could look like.

And that has never left me: this idea of wanting to see what's about to happen and live at that edge of things. Even if I wasn't investing, if I decided to call it quits and never turn on another camera, I would be holed up in a little room somewhere constantly playing with the latest stuff.

So, what does that mean today? It means I splurged on a crazy-ass GPU for my house, and I'm downloading local models. You and I were talking even last night. I had this idea where I'm asking all the models out there to give me the 100 best albums of all time—meaning music albums of all time—not based on downloads, but cultural impact and their impact on other genres springing up, to your point.

I'm going to have them duke it out. I'm going to select the most expensive option to do. I'll probably burn half a lake's worth of water, or whatever the hell it's going to—I'm joking, but it's pretty bad.

So, they're going to give me, then stack-rank those and see where they agree and where they don't agree, and come up with a list. Then I'm going to go and have each of those albums at a granular level.

Tell me why each song is very important and create a script for about a 2-minute-long podcast for each of the albums. Tell me where to pay attention to each of those tracks, why, and what riff to listen for that impacted somebody else or influenced someone else. Then I'm going to feed that into ElevenLabs and create a beautiful, relaxing, guided journey for that album.

Then I'm going to tie it into the Spotify API so that I can sit back and have it on my list of to-dos to listen to an album, say, once a week or something like that, get that guided, beautiful journey, and go through it. That product doesn't need to exist, but I want it for myself, and so I'm going to go build that.

But it's an example of how that is a forcing function for me to learn speech-to-text, to learn how to have these models duke it out and come up with the best possible answer, and to build the whole backend that's required to pull that off. That's the play at work, in action, right? I think that if you can just find that for yourself, you will find the frontier of where things are going just through that natural curiosity.

I don't know where things are going. I will tell you that there are a couple of things I know to be true. One, I think engineering is over. I think we're going to be orchestrators of information, not engineers. I think those will be solved problems. Anything where there is a nonsubjective outcome, AI will tackle and solve that problem.

Like, engineering is a solvable problem. If I want to fan out 1 million stories to a social network, that is not a subjective thing. There is a way to do that at scale, efficiently, and with the end result that we're all looking for. AI will figure that out. You won't need a team of 10 engineers to figure that out. Those will be solved problems.

There are certain things like that that I look to and think, “Oh, the world just hasn't woken up to this yet.” I mean, we all, as technologists, have—but—

Anish Acharya

I wouldn't go for a CS degree. I would not go into that right now. There are little bits and pieces like that, but then you think, okay, well, what has to happen in order for that reality to unfold? What tools need to be built? What stacks need to be built? That's where the investment opportunities lie.

If you see this stuff—like, I was on The Tim Ferriss Show talking about when NVIDIA was hitting its kind of $1 trillion mark. I'm like, “This is going to run, because we're at the early innings of this,” and talking about this stuff. It's so funny, so many things on Tim's show, because he asked me to make these predictions.

When Ethereum first got off the ground, even before it launched, I was talking about it on Tim's show, because if you're paying attention, you'll just see it, and it'll be right there in front of you.

Kevin Rose

Yeah, I love that. I want to quibble with your point about a CS degree. But first, I want to say that so many good things in life are downstream of authentic curiosity.

Anish Acharya

And I love that that's the way that you've done this, because it's not some big-brain, galaxy-mind, predicting-the-future thing. It's just, “What gives me energy?”

Kevin Rose

That's right. That's the whole thing. I remember Michael Arrington way back in the day. He was interviewing me on TechCrunch Disrupt, and this was probably 20 years ago. He said, “Hey, I want you to talk about your investments. Why—how are you good at picking these things?”

I was like, “I don't know. It's kind of based on my gut and what I'm excited about.” He's like, “Dude, you've got to have a better answer than that.” That's what he told me before we went on stage.

I was like, “It's not a magical formula. It is intuition, especially at the early stage. Especially when it's awkward, because if it looks awkward, it's going to be contrarian. No one's going to want to do that weird thing. Those are the hardest deals to do.”

It's funny, I was talking to—I think it was Reid and David over at Greylock back in the day, and they said their best investments were the ones that were the most contentious internally, because people don't see it. Not everyone sees it. That's okay. That's actually a positive signal, because many people are like, “That will never work.” But guess what? When it does, it changes the world.

Anish Acharya

What's remarkable is that anybody who's got nothing to lose can be embarrassed and be willing to be embarrassed. But once you have something to lose—you know, you're a person that people know and trust—the natural human instinct is to be more cautious and to take less risk around being embarrassed.

Because you've consistently been at the edge, maybe because of this authentic curiosity, you've done it a lot. I think that's a real conscious thing you've done, which is unusual.

Kevin Rose

But I've also lost a lot and made the wrong call. At the end of the day, when my kids look back at my career—and I have them as my little proxies for the world—I want them to look back on Dad's career and not say he was the best investor or that he made the most money.

I want them to look back and say, “Wow, he took a lot of risk, and he was wrong a lot. But you know what? He got to scratch every personal itch that he had and try everything. He was at the buffet and tried it all.” A lot of it failed. Most of it failed. But that's okay, because what are we doing on this earth if we're not trying crazy shit? Do you know what I mean?

Anish Acharya

100%, dude. 100%.

Kevin Rose

Back to the thing that you said you wanted to debate out: What was that?

Anish Acharya

I want to quibble about your point around a CS degree, because I actually think this is a really, really important point. If you're somebody that goes to Stanford, or maybe Harvard or MIT, those people are leaning into CS degrees in a big way.

Unfortunately, I think this story has gotten out into broader society that CS is over, engineering is over. Sure, being able to write a certain kind of algorithm may be less valuable than it was 10 years ago, but being able to think technically is more important than ever.

I think it would be a real tragedy if, especially, kids that go to non-Ivy League schools decide not to do CS because CS is over. I think the value of being technical is higher than it's ever been. While the future technologists may not be programming in the way that we are, they're going to do something that needs that skill set.

Kevin Rose

I will say I think it's over. The reason I think it's over is because I would argue that creativity in the future is going to be more important than technical ability.

We don't need to teach people SQL, or have anyone learn these things in school. I'm curious—let's crack that open a bit. What do you believe that a technical degree gives you that will be useful a decade from now?

Anish Acharya

Well, look, I think, 1, it's just fluency, right? What is a distributed system? What does that mean? Yeah, I think it's useful to understand that as a mental model for systems thinking.

The second thing is just general problem-solving. How do you go step by step and solve a problem? How do you understand how to explore a problem in design space? Where do you take risks or be ambitious, and where do you not?

A lot of it is downstream of mathematics. I went to computer engineering in Waterloo, and none of the stuff I took away—in fact, none of the things that we typically studied—was a programming language. A lot of it was systems thinking, and I think the systems thinking is actually really important.

Kevin Rose

That's really interesting, because I think that's different from a classic CS degree. One of the things that I like about some of these programs—and they're largely more on the vocational-school side of things—is how they've evolved. It's training you to become an entrepreneur, which is full-stack: building it, designing it, coding it, shipping it.

That depth of knowledge across the full stack impacts marketing, creativity, hiring, firing—the full suite.

Anish Acharya

Yes.

Kevin Rose

Essentially, it will of course be very important in the future. I think that just a singular technical focus around the code piece of it—that's where I would like to see the degrees loosen up a little bit and be a little more holistic and overarching.

I don't think—and don't get me wrong, there will be technical challenges that we have in the future—but if you get to scale as an entrepreneur, you will have plenty of everything to go solve those challenges, right?

Anish Acharya

I think that's right. Being a technologist, and broadly having a technology mindset, sets you up to be a good founder. I actually think Elon has probably run the most ambitious experiment on this that's totally under-discussed, which is that he typically has technical people in every role—

Kevin Rose

Right.

Anish Acharya

Marketing, comms—you name it, there's a technical person there. I really do think there's something in the training that sets you up to be successful in a lot of vocations, which is totally distinct from programming.

Kevin Rose

Yeah. What I look for in a founder is someone who's kind of multidisciplinary in some way. If you're too technical, then you don't understand—

I met a founder yesterday who's building a device that can listen to everything, another one of these types of devices. The angle of what they were going after missed a lot of the social side of it: what it means to be listened to, the invasion of privacy, and how to potentially sidestep that.

They were all technical, all device-focused.

And I feel like, in the future, you have to have that kind of full suite. It’s not just any one discipline; it’s probably going to be a handful of them—the orchestrator role.

Anish Acharya

Yeah. It’ll be interesting to see. I also think there’s value in ignoring—I don’t know why I’m just arguing with you here—but there’s value in ignoring the social norms. A great example of this is 10 years ago. It’s so funny looking at the mobile transition. I remember it so distinctly: iPhone in 2007, the App Store in 2008.

When the App Store came out, there were 6 million iPhones in distribution, right? Not a lot. Today, ChatGPT has 800 million active users, right? We’re not even 3 years in. So, it’s crazy the scale at which these things grow.

Kevin Rose

If you look at the predictions from 2009—you can go read the blog post—no one knew what to do with the technology. The most consistent prediction was location-based ads.

Anish Acharya

That was the most ambitious thing anyone could think would happen with mobile. But one of the big predictions around location was, “Wow, people don’t want to share their location.” There was angst amongst the pundits about that.

Fast-forward 10 years, and every Gen Z—every Zoomer—shares their location with all their friends and their exes and who knows who. That moment—from consumers feeling one way about location to the sort of tipping point—happened very rapidly.

So, I can’t speak specifically to what’s going to happen around being transcribed, but I do think ignoring the social conventions can be a really good instinct for founders.

Kevin Rose

Yeah. I worry about this trend of always recording. Do you believe that this is going to be ubiquitous? Do you feel like we’re always going to be recorded? Is the future one where you can’t—I mean, there will be safe spaces—but you largely can’t find a safe space because every meeting you go to, every dinner you go to, it’s always on?

Anish Acharya

Look, I think that technology and social norms sort of adapt to each other in lockstep. So, yes, I think there’ll be more things recorded, and I also think that we’ll develop new social norms so that it can fit into our world. Right? Technology is downstream of what we need as a species and society, and we’ve always adjusted. We’ve always adjusted, and I believe we will again.

Right now, we’re in this awkward, transitional period where, if you’re in a bar in New York, you’re definitely getting punched in the face for recording. In San Francisco, everyone’s recording. So, it’s just a moment of transition where society is not caught up with technology. But I do think we’re going more in that direction than less.

Kevin Rose

Yeah, that’s going to be a hard one to overcome, I’m telling you. I’ve gotten—well, certainly on the personal side, if you wear one of those devices that’s always recording with a partner, that doesn’t fly. On the professional side, I’ve seen a lot of people ask you to take it off, to put it away.

But also, I enjoy the rawness of an unrecorded conversation because you will—

Anish Acharya

Put your toe in and say things that are probably more real. I’d rather have that conversation happen than something that’s just like, “Oh, let me reference my notes and make sure that I got that right,” you know?

Kevin Rose

So, we’re talking a lot about how it changes things for the negative. We’ve got an amazing portfolio company called Limitless. They do this, and the benefit of having a lot of those things is that sometimes you’ll find yourself saying things you didn’t expect to say, and they just get lost in the ether.

The benefit of having that signal and having it be less transcription-focused and maybe more ideas-focused, maybe vibes-focused—there’s a form of lossy compression you can take with the ideas—

Anish Acharya

That, I think, actually—

Kevin Rose

It has to go there. I think the lossy nature of it—for people who don’t know what we’re talking about, lossless would be every word verbatim recorded in a diary somewhere, which is one hack away from our personal conversation in an Uber being exposed to everyone—that bothers me.

As friendships deepen and evolve, you’re like, “Hey, this was a tough thing I was going through,” or whatever it may be. The fact that that is somewhere in the cloud is just bad. I think it’s bad for all sorts of reasons, but—

Anish Acharya

The idea of lossy is interesting because you pick up broader themes—

Kevin Rose

And if you can pull emotional context along for the ride, where it says, “Hey, we noticed that Anish was feeling down about this,” and I’m like, “Oh, let me send him a little something to cheer him up,” because that was a great callback to our conversation. Totally.

Anish Acharya

That side of it is fascinating because then I don’t feel awkward having the conversation, especially if we can do that on-premises, on-device, where you have a small model running on-device.

It doesn’t pick up the fact that I said this one thing that would be hurtful out in a broader context, but it is getting the emotional tone that’s surfaced back in a sentence that cannot be connected directly to what I was saying.

Kevin Rose

Yes.

Anish Acharya

I love that idea. I hope it goes there.

Kevin Rose

I think it will. I think this is the interplay between social dynamics and technology. It’s going to go there.

Anish Acharya

The Limitless device—I had it, and my dream feature—

Kevin Rose

Is that they have a little LED on the outside. There have been any number of times when I had it on and people are like, “Turn that thing off.” And fine, that’s fair, right? Turn it off, whatever.

Anish Acharya

I want a mode where, if it’s red, it’s doing verbatim recording because there are meetings where I want that to happen, right?

Kevin Rose

If it’s green, it’s recording, but it’s theme-based. So now I can have that personal, intimate conversation. I know it’s happening on-device. Those more intimate words will never be leaked online, but then I know where I stand with you, right?

Because I think that’s so important to know, like, “Oh, what we’re having is going to remain largely confidential. It might pick up some themes, but it’s never going to be damning to me.”

Anish Acharya

That’s so interesting. I mean, and that’s exactly it, right? A visual cue—

Kevin Rose

Right? Has to be—

Anish Acharya

Confidential mode, you know, and that’s not a technology problem. That’s a product design problem—

Kevin Rose

Right?

Anish Acharya

I think we’re going to solve it.

Kevin Rose

Yeah. Well, that’s exciting.

Anish Acharya

Yeah.

Kevin Rose

Because I certainly believe that, especially with our brains as we get older, having that additional ability to jump back into context and find some of that information—

Anish Acharya

Although I did use it—I tell you, I used it with Daria one time, where she told me she had said something and I pulled up the transcript.

Kevin Rose

I keep shooting myself in the foot.

Anish Acharya

That is a no-no.

Kevin Rose

No way. Because you pull it up and you paste it, and it’s the last time you wear the device.

Anish Acharya

There is no end. That’s when you just go limp and take the pain.

Kevin Rose

Well, brother, this has been great. It’s so great to have you. Anything else you wanted to touch on before we wrap things up?

Anish Acharya

Now, I absolutely had a blast. Let’s keep talking.

Kevin Rose

Yeah, let’s keep doing this. It’s good to get together every so often, hash out these things, talk about the future. Where can people find you online socially?

Anish Acharya

I’m on Twitter, illscience. We can talk about that another time, the genesis of that name. And you can always get me at anish 16Z.

Kevin Rose

Awesome. So, hit me. I want to know what you’re working on. You know, send me things that you actually have made. That’s always the best way to engage with us. Best way by far.

Anish Acharya

But generally, I’m just excited to be out there and thrilled to be here with you, Kev. Thank you.

Kevin Rose

Awesome. Yeah. Kevin Rose on Twitter X. I still get confused. I call it Twitter on X. Yeah. Awesome. Let’s do this again soon.

Anish Acharya

Thanks for a fun session.

Kevin Rose

Yeah.

Anish Acharya

All right, man.

创意为何会比代码更重要|Kevin Rose 与 Anish Acharya — 文字稿与摘要 | BidClub