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Sharp Tech · · 33 min

(Preview) Video's Ongoing Victory Over Text, Google and YouTube's Abundance of Opportunity, Six Questions About an AI Bubble

Andrew SharpBen Thompson

Podcast
TL;DR
  • Ben Thompson’s core consumer-AI call is that video, not text, will capture the largest audience and market. Text arrives first because it is easiest, but media repeatedly progresses toward images and then video, where attention concentrates. Thompson argues that social networking is a route to scale for pure entertainment, and cautions against assuming people will reject AI video after short user-generated video similarly defied elite expectations.
  • Google may have the strongest consumer-AI position because it combines leading video models, YouTube distribution, an advertising business, and ownership of YouTube’s video data. Thompson says OpenAI’s Sora was “embarrassed” by Veo 2 and that Veo 3 is “amazing” and now productized: “Video’s not competitive. Google’s so far ahead.” He imagines Google’s ownership of YouTube gives it an efficiency and capability advantage in using that data. YouTube is beginning to ship these capabilities, though some announced features are not yet live.
  • Gemini’s Nano Banana image editor offers early evidence that consumer AI can expand beyond chat. Google’s 2.5 Flash Image reportedly brought Gemini 13 million new users in four days, while users uploaded five billion images in under a month; unlike typical brief App Store spikes, Gemini remained number one for weeks. Thompson sees image creation as only the midpoint because “the end state is video.”
  • YouTube’s most consequential AI feature may be automatic product tagging, not generative spectacle. Its AI can recognize when a creator discusses a Samsung phone, match that moment to a supplied link, and insert the link automatically—an initially “super basic and incredibly profound” step toward recognizing products throughout video and making its pixels monetizable.
  • YouTube’s commerce push creates upside and tension across creators and brands, while raising a question for Amazon. Smaller creators could gain access to brand monetization they cannot arrange alone, while premium creators may see YouTube take a cut if brands route existing partnerships through the platform. The episode ends by raising—but not answering—whether a larger YouTube affiliate surface and AI product recommendations threaten Amazon.
  • Thompson explicitly reversed his prior assumption that Meta would ship AI products better than Google. Meta’s AI is “a total mess” and “kind of in disarray,” while Google has begun connecting its models to real consumer surfaces and advertising. His updated shorthand: take the earlier Meta AI-abundance thesis and “search and replace Meta for Google.”
  • Apple’s iPhone 17 execution supports a narrower recovery thesis around its established strengths, not a resolved AI story. Andrew Sharp reports battery life of roughly a day and a half versus 12 hours on his 15 Pro, a noticeably better camera, effective square-sensor selfie technology, and surprisingly elegant Liquid Glass. Thompson’s framing is that Apple “retreated” to operating systems, interfaces, and hardware while its AI questions remain “wide open” and “TBD.”
Digest · the substance, structured for research

1. Apple’s hardware reset restores confidence without answering AI

  • Sharp’s early iPhone 17 Pro verdict is unusually enthusiastic: upgrading from a 15 Pro, he is charging roughly once every day and a half instead of every 12 hours. The camera is “a noticeable improvement,” and the new selfie technology works well even while he is holding his seven-month-old daughter. Liquid Glass has been “pretty elegant and pleasant to use” rather than the expected failure.

  • Thompson explains the selfie improvement as a square sensor that decouples capture orientation from how the phone is held. Users can keep the device vertical, switch between portrait and landscape framing, and retain the highest available quality—an ergonomic correction to the front camera’s role in creating today’s vertical-video culture.

  • Thompson’s larger Apple framing: the company chose to return to what it does best amid unresolved AI questions—“We’re going to do what we do best.” Strong phones, operating-system work, and interface design show Apple is “still good at what we do,” but the AI questions remain “all still wide open, all still TBD.”

2. Mass-market media keeps moving from text toward video

  • Thompson starts with the mismatch between industry taste and mass behavior. Tech and media insiders loved Twitter because it was dense, customizable, and intellectually generative; he still sees tweets that change his thinking. Yet “according to the numbers, I’m the outlier,” and most people are not as interested in investing that much effort in information.

  • His best personal evidence is almost comically extreme: as a child he read around 10 books a week and could be punished by losing reading privileges, while watching Succession now “feels like work.” Twitter is entertainment to him, but that preference should not be mistaken for the market.

  • Facebook versus Twitter supplied the earlier warning. Thompson watched fellow English teachers in Taiwan obsess over Facebook while he considered Twitter obviously superior; Facebook then moved from text to photos and video, while TikTok went further with video from anywhere and is not really a social network at all.

  • Thompson grades his 2015 call as only “70% right,” but retains its core: social networking was a route to scale, not the final product. Once scale exists, services can become pure entertainment—a point Sharp summarizes as “entertainment is the end game”—which is a useful correction whenever elite information habits are projected onto consumer demand.

3. Consumer AI is replaying the text-to-image-to-video sequence

  • Thompson narrows the thesis explicitly to consumer AI: what resonates broadly and ultimately makes money. Newspapers, magazines, television, and user-generated media all began with text, added images, and ultimately gave more attention to video; text arrives first because printing and bandwidth make it easiest.

  • ChatGPT may “always be the go-to text source,” but Thompson points to its Studio Ghibli image moment as evidence that consumers want more than conversation. Google’s Nano Banana then delivered another strong demonstration: Gemini reportedly gained 13 million users in four days, and users uploaded five billion images in less than a month.

  • The persistence matters as much as the spike. Apps often top the App Store for a day or two before disappearing, whereas Gemini stayed number one for weeks as successive image memes circulated. Thompson calls Nano Banana “incredible” and sees real sticking power—but insists images mean “we’re only halfway, because the end state is video.”

4. Google’s video lead matters because YouTube is finally shipping it

  • Thompson rejects confident claims that people will dislike AI-generated video: 10 years earlier, few would have forecast users spending more time on 30-second TikTok clips than professionally produced programming. “Be careful in your presumption around human preferences”; history establishes that people like video, even if AI video’s ultimate reception remains uncertain.

  • His competitive call is much less hedged. Image generation remains contested among Google, OpenAI, and Midjourney, but “video’s not competitive”: OpenAI tried to seize attention with Sora, Google “embarrassed them with Veo 2,” and Veo 3 is “amazing” and increasingly productized.

  • Thompson admits he is late to the Google thesis after the stock’s rise over the past few months. Google always possessed the pieces—DeepMind’s capabilities were visible a decade ago—but its chaotic Paris response to OpenAI and early Bard launch made execution the question. The YouTube announcement matters because “they actually shipped.”

  • Some announced tools are not yet live, and Thompson preserves that caveat: check again in a month or two, and hold Google accountable if they never appear. The proposed set includes Veo 3 generation inside YouTube, automatic assembly and narration of uploaded clips, and text-to-song transformations that could turn a political rant into a viral track.

5. Automatic product links point toward monetizing every video pixel

  • The “super basic and incredibly profound” feature is automatic tagging. Rather than forcing creators to scrub through an uploaded video, find the relevant moment, insert a link, and adjust when it ends, YouTube can detect a Samsung discussion around minute 20, match it to the supplied Samsung link, and place it itself.

  • Thompson sees a straight line from that convenience to his earlier Meta thesis that “every pixel on Instagram going forward is going to be monetizable.” AI could recognize products throughout video, attach links, and eventually support more sophisticated attribution or a bidding process than merely checking whether a creator recited a sponsor message.

  • The economics cut both ways. Lower-level creators could gain brand opportunities unavailable to them today, but YouTube also sees premium creators “making more money off of YouTube than on YouTube” and wants a share; brands might compel those creators to route direct partnerships through the platform.

  • Thompson concedes his key Meta assumption was wrong: he gave the founder-led company the benefit of the doubt on shipping, but its AI is now “a total mess” and “kind of in disarray.” Google has the models, YouTube surface, advertising machinery, and—Thompson believes—an advantage in using YouTube’s video data because it owns the platform. In his words, AI will be “one of the biggest gifts to advertising ever.”

  • The episode closes with a listener question about whether YouTube’s expanding affiliate surface and AI product recommendations threaten Amazon, without resolving it.

Andrew Sharp

Ben, how are you doing?

Ben Thompson

I'm doing okay, Andrew. How are you?

Andrew Sharp

Do you have an iPhone review ready for me today?

Ben Thompson

I do not. Mine is actually arriving today. I am not one to sleep through my alarm. The first time I slept through my alarm in years was literally on iPhone order day. I was 30 minutes late to order, and thus a week late to receive it.

Andrew Sharp

A full week late here. I mean, look, you had no smart glasses last week—no iPhone this week. Ben, I'm concerned. Are you sure that you're the tech guy on the podcast here?

Ben Thompson

Hey, I'm here to examine the space between Wall Street results and products. The products are nice, but not necessary.

Andrew Sharp

Not a product reviewer.

Okay, fair enough. Well, I have the new iPhone, and just a 30-second review on my end.

Ben Thompson

Yeah, no one cares about my review. We need yours.

1. The iPhone 17 Upgrade

Andrew Sharp

I love the new iPhone. It has tremendous battery life. I'm charging my phone once every day and a half at this point, as opposed to once every 12 hours with my rickety 15 Pro.

Ben Thompson

Wait, wait, wait, wait.

Andrew Sharp

So that's a massive upgrade.

Ben Thompson

So you only charge it when you need to?

Andrew Sharp

Correct.

Ben Thompson

So, like, you charge it one night, then the next night you don't charge it. You just wait till, like, halfway through the f— This is insane behavior. This is insane behavior.

Andrew Sharp

When you lay it out like that, no. When you lay it out like that, I do sound like a psychopath. That's not going to be my standard operating procedure going forward. But mainly in this first-week, 10-day period, I'm just curious to see how long the battery lasts if I don't charge it at night.

I'm sure I'll settle into a rhythm where I just plug it in every night and forget about it, and that's going to work great. It wasn't working great with my old phone. I'd have to recharge during the day. No longer a problem now that I'm living the 17 Pro life, so thank you, Apple.

I would also note that the camera is much better than the previous cameras. Noticeable improvements.

Ben Thompson

What are you upgrading from?

Andrew Sharp

The 15 Pro.

Ben Thompson

Okay.

Andrew Sharp

So it's not like I was on a 13 or 12.

Ben Thompson

That's reasonable.

Andrew Sharp

I mean, they were really good cameras, but the 17 is a noticeable improvement, and so I've really enjoyed that. My 7-month-old daughter, Rose, is a big fan of Apple's new selfie technology, so that's working great.

Ben Thompson

Wait, she's operating the phone?

Andrew Sharp

Well, no, but she loves sitting there while I operate it for her because the selfies work better. I don't know exactly what Apple did with the selfies. You could probably tell me better.

Ben Thompson

Yeah, do you want me to?

Andrew Sharp

Yeah, please let me know.

Ben Thompson

And it's actually funny because Apple was late to the camera in general. The first iPhone didn't even do video. It was sort of an afterthought. It's funny because it became such a driver for the phone in general.

But then the selfie camera itself sort of languished for ages, and this year they're like, “Oh yeah, this is actually probably a really important thing.” Your selfie camera was aligned with the phone. And this—

Andrew Sharp

Mm-hmm.

Ben Thompson

—transformed media, right? Suddenly we were getting vertical videos. That's what you got naturally with the front camera, and that's fine. That's a thing in culture now. We see vertical videos all the time. They're actually better to consume on the phone.

Andrew Sharp

Yeah.

Ben Thompson

But sometimes you want to get a broad shot, right? You want to get things across. If you use a selfie camera, then you would normally have to crop it, or flip the phone and hold it awkwardly. It's just easier to hold a phone up and down.

So what they did was basically use a square sensor. You can hold the phone any way you want, and you just press a button—

Andrew Sharp

And it adjusts—

Ben Thompson

—to flip between portrait and landscape, and it's going to be the highest possible quality every time, no matter what you do. So they—

Andrew Sharp

I'm here to testify. It works great in practice, even as you're juggling a baby in your arms. So great job, Apple.

The only other note I have is that our listeners were exactly right. Liquid Glass is not only not horrible, but pretty elegant and pleasant to use. I've got my guard up for some sort of bugs or, I don't know, maybe the experience starts to get crappy a couple of weeks from now, but I've really enjoyed my early interactions with Liquid Glass. So across the board—

Ben Thompson

Here's a question.

Andrew Sharp

Some wins.

Ben Thompson

No, this is the big question. Have you picked up your old phone at all since you used the new one?

Andrew Sharp

Not once.

Ben Thompson

Well, you should, because if a user interface change is working, then you pick up the old one and you're like, “This feels so ancient. I can't believe this is how it used to work.”

So you have to do that test after this podcast. Let us know.

2. Apple Returns To Its Strengths

Andrew Sharp

Does the Tim Cook apology need to be as loud as the disrespect was? What do you think? A lot of people like these new iPhones.

Ben Thompson

Well, I mean, this is what I picked up on from Apple at WWDC when they announced Liquid Glass, which is—

Andrew Sharp

Mm-hmm.

Ben Thompson

—this is a company—I think I called it Apple Retreats. Sometimes retreats are good and necessary and appropriate. And they—

Andrew Sharp

Yep.

Ben Thompson

—this year was clearly a year when they said, “We're going to do what we do best. We're going to focus on the operating system and the user interface, and we're going to focus on really great new phones.”

The AI questions are all still wide open, all still TBD, but it's good to sort of reset and be like, “Yeah, we're still good at what we do.” And to the extent that—

Andrew Sharp

That's the key question: Are they still good at what they do? That's what I was asking back at WWDC. In the wake of that, have the core competencies eroded?

I don't want to give Apple too much credit in the midst of my iPhone 17 euphoria, because part of the reason I'm so happy is because I had come to hate the 15 Pro I had. But I really do feel like they nailed these upgrades.

So I'm back in, a satisfied Apple customer, and I can't wait to hear what you think of the iPhone 17 when your—

Ben Thompson

Oh, I already know mine's better than yours.

Andrew Sharp

—Max arrives.

Ben Thompson

Well, yeah, mine is better than yours. I can already tell you that right now. Number 1, it's a Max.

Andrew Sharp

Mm-hmm.

Ben Thompson

If you're worried about battery life, you gotta be rocking the Max.

Andrew Sharp

You know what I'm worried about with the Max? I already spend too much time on my phone. I actually don't want a bigger screen that's going to be an even better experience, because I don't think that would be healthy for my touch-grass habits. That's my concern.

Ben Thompson

Yeah, it's funny. I held onto the regular Pro for ages and ages and ages. I finally switched last year, and then last night I was picking up my phone, and I'm like, “Wait, is this my old phone? It's so small.” I'm like, “Oh, no, this is the Max.”

I'm so fully acclimated. I'm like, “I want more. Give me a bigger one.” I can't believe I used to live that way. I do still—

Andrew Sharp

The Max of Max, yeah.

Ben Thompson

—have problems typing. I don't know if you ever noticed my texting; there's random line breaks because my thumb is still not fully acclimated, even after a year.

But also, my phone will be better because it will be orange. So, big L by you, but what are you going to do?

Andrew Sharp

Well, I just hope it gets there eventually, you know? Already a week late. Who knows when the iPhone Max will eventually arrive on this continent.

Ben Thompson

Today between 1:00 and 5:00.

Andrew Sharp

Okay. Well, speaking of today, we've got some bubble talk on deck in the middle, but we will begin today with the blob and the giant hiding in plain sight: YouTube and Google.

You had some interesting follow-ups earlier this week to your interview last week and the conversation we had on the show. So I'm going to read from your article on Tuesday. The headline was “The YouTube Tip of the Google Spear,” and in that piece you write, “Here's the trillion-dollar question.”

Ben Thompson

No, that's not what I wrote.

Andrew Sharp

What is—

Ben Thompson

I said, “What is the million—nope, strike out—billion—nope, strike out—trillion-dollar question?” Let's get some accurate copy-and-pasting here.

Andrew Sharp

It's true. It's true.

Ben Thompson

When I recorded it—

Andrew Sharp

Well, I thought to myself, I don't know if reading strikethrough text is really going to come through on the podcast medium. But I'm glad that you jumped in—

Ben Thompson

I can do a reproduction of the podcast recording of the article. Or—oh, I did so much better the first time. Here's the million—

Billion—no, trillion-dollar question. You know, you just gotta catch yourself and then say it again. That is the strikethrough in real life.

Andrew Sharp

Well, you could tell. I consume these via text, not podcast.

Ben Thompson

As they are meant to be consumed—

Andrew Sharp

That’s right.

Ben Thompson

Anyhow, continue.

Andrew Sharp

I’m a proud wordcel here on the pod. Here’s the million-, billion-, trillion-dollar question.

Ben Thompson

No, no. You have to catch yourself and say the next one. You’re saying the wrong thing. Anyhow, continue.

3. Video Beats Text

Andrew Sharp

Look, we’ll workshop it. The million-, trillion-, billion-dollar question is: What is going to matter more in the long run, text or video?

The history of social networking suggests that video is, in the long run, much more compelling to many more people. To put it another way, the things that people in tech and media are interested in have not historically been aligned with what actually makes for the largest service or makes the most money. People like me, or those reading me, care about text and ideas. The services that matter specialize in video and entertainment.

So, Ben, let’s start with that idea, because I don’t think we talk about it enough on this show. Do you want to expound on the dynamics you’re describing there and why video might matter more than text in the long run?

Ben Thompson

Well, what did you just say? How do you consume Stratechery?

Andrew Sharp

Via newsletter, text.

Ben Thompson

The written word, yes.

Andrew Sharp

That’s right.

Ben Thompson

It’s kind of an interesting dynamic that I picked up on years ago, in the context of Facebook versus Twitter. The media loves Twitter, and people in tech love Twitter. The whole lure of Twitter—and I remember being at business school and trying to recruit people to use Twitter. I’m like, “You have to be on here. How can you be interested in technology and not be on here?” I did a whole thing as part of the tech club, teaching people how to set up their feed and follow XYZ.

I’m like, “Yeah, it’s really hard to get started, but once you get it figured out, then it’s super great.” That was always my critique of Twitter: It’s too hard to get started, too hard to get your feed optimized. I think there’s a bit of that that certainly is true. The feed is much more algorithmic now, which I think is more approachable for people, generally speaking, even if some people who like the old Twitter and their perfectly curated feed find it annoying or frustrating.

Andrew Sharp

Mm-hmm.

Ben Thompson

But I think that’s only part of it. I think the reality is that the reason why I love Twitter so much, and I presume the reason why you love it so much, is that it is so dense and packed with—

Andrew Sharp

Information, yeah.

Ben Thompson

Yeah, it’s like the information from all sorts of things all together, and you can read it, and you can feel super plugged in. Even today, I still rationalize the amount of time I spend on Twitter because, on a daily basis, I probably see at least 1 tweet a day, and probably more, that actually is beneficial, that affects my thinking, that makes me think about something different or triggers a thought process that leads to an idea. There’s nothing better for doing that, even today.

Andrew Sharp

Yeah.

Ben Thompson

I think the reality is—and this is kind of hard to talk about because, of course, us being wordcels, to your point, highly value this trait, so this sounds insulting—most people just aren’t that interested in doing that.

This goes back to the ongoing joke and truth about me and my TV consumption, right? Maybe this is part of how I was raised. My parents were super strict, and I couldn’t watch TV except for sports. That’s why I love all these sports on TV, and I really don’t watch anything else.

I read all the time. I got grounded as a kid by not being allowed to read, and it was effective. It’s not like I associated reading with punishment. It’s because I read 10 books a week, and I’m not even exaggerating. So to me, Twitter just slots right into that.

Andrew Sharp

Yeah.

Ben Thompson

And the idea of sitting down—I can barely make it through. I never finished Succession. It’s like, “This feels like work. Not doing it.” I got a season and a half in, much less all the slop that’s on all these other streaming services.

But why do I still write about it? Why do I think Netflix is compelling? This is a bit where I’m not writing from personal experience. I’m writing from looking at the data. We know about the amount of TV that’s watched. We know about the habits, and thinking about things like advertising and all those sorts of bits and pieces. It goes into why I feel okay talking about the new iPhone even though I don’t have one, because I’m thinking about it from a structural perspective.

Andrew Sharp

Mm-hmm.

Ben Thompson

Certainly, it’s useful and beneficial, and sometimes I do have blind spots about stuff that I don’t watch or because I missed something from personal experience. I acknowledge that’s the case. But the fact of the matter is, according to the numbers, I’m the outlier, not everyone else.

Andrew Sharp

Yeah.

Ben Thompson

And you saw this in the late 2000s with Facebook versus Twitter. There were a lot of people in tech, on Twitter of course, who couldn’t figure out why Facebook was so popular relative to Twitter.

I remember, I signed up for Facebook right when it came out, as well as Twitter, and never really touched it for ages. I remember being in Taiwan. Even then, even though I wasn’t thinking in Stratechery terms specifically and had no idea I’d write an article about this, it just struck me how other people—I was an English teacher back then—and all the other English teachers were obsessed with Facebook. They were on it all the time.

Andrew Sharp

Mm-hmm.

Ben Thompson

And I’m like, “Twitter is so much better. It’s so much more interesting.” Again, I see that and recognize I’m the weirdo here, not all these other people.

Andrew Sharp

Right.

Ben Thompson

What was Facebook back then? Facebook pretty quickly became photos. People preferred photos over text. The text was interesting. When Facebook was just text, they were onto it, but then photos, and then video comes along.

You see the rise of TikTok really blindsiding Facebook, not just by virtue of being video, but also video from anywhere. And actually, this was probably one of my best calls, even though I only got it 70% right, back in 2015: Facebook has to go beyond the social network. Social—actually, social networking—is not the end game. It is a way to get scale so that you can just be pure entertainment. And entertainment—for me, Twitter is entertainment.

Andrew Sharp

I was going to say.

Ben Thompson

I’m a weirdo. For everyone else—

Andrew Sharp

We find Twitter entertaining and enriching, but most people don’t have the energy.

Ben Thompson

Right. They say you gotta pray that you can do what you love. Probably the closest bit of doing what I love in my life is the fact that I get to justify reading Twitter 24/7 because I can tell myself it’s for my job.

Andrew Sharp

Yeah. And it gets dangerous. It can get abused. I’m speaking from personal experience there. But yeah, that’s the reason it resonates with me.

We mentioned this over the summer. Even though Steve Jobs liked to think of Apple products as productivity enhancers and bicycles for the mind, the iPhone is ultimately a consumption device more than a productivity device, and that’s what made it the most successful consumer electronics product in world history.

The reason I say we don’t talk about it enough is because of the shift to video. It’s undeniable that the shift is already happening. Like, everyone—

Ben Thompson

Oh, it already happened. I mean, TikTok is dominant.

Andrew Sharp

In the world—

Ben Thompson

Reels is all video.

Andrew Sharp

—is reading less than ever. Yeah. And consuming more video than at any point in human history. There are overwhelming social implications for that shift, and then business implications. But it’s not clear that it’s fully reflected in how people are forecasting what the world might look like in an AI universe, which is what your piece was focused on this week with YouTube.

Ben Thompson

Well, you just zoom out, and you’re trying to make forecasts not just for today, tomorrow, or next year, even though you want to dismiss products forever based on how they are right now.

Andrew Sharp

Oh, boy.

Ben Thompson

Yeah.

Andrew Sharp

We’re going to address that later in the show, don’t worry.

Ben Thompson

All right. Fair enough. But if this overall concept is right—and to be clear, for this article, and I probably should’ve been clearer about this, I’m talking about consumer AI: what people use, what resonates, what makes money.

If you look back to the history of mass media, newspapers to magazines to TV, if you look back to the history of user-generated media, which is probably a better name than social networking because that actually captures TikTok, which really isn’t a social network at all, in all cases, text is there, it’s important, but it’s superseded by images. And they’re both massively superseded by video.

That is actually the dominant one that matters most, that takes the most share. So if you apply that to AI—which you might not, but let's apply it to AI just for our amusement here—we have text. ChatGPT dominates text. I think there's a good chance it will always be the go-to text source.

Andrew Sharp

Yeah.

Ben Thompson

Text usually always comes first because text is easiest. That's just been the case for all the mediums as well: text was easier in the analog world. The printing press came years before the camera, which came before video. It was easier on the internet to send text, so we got text social networking before we got images, before we got video, and we needed bandwidth—we needed 4G at a minimum—all these sorts of pieces. And with AI, we got text first, and then we have images. What was the last real viral moment for ChatGPT?

Andrew Sharp

Studio Ghibli.

Ben Thompson

Well, we can talk about pronunciation later in the show as well.

Andrew Sharp

Great.

Ben Thompson

People like images.

4. Gemini Makes Images Viral

Andrew Sharp

Well, and speaking of the images issue, this again speaks to my life as a wordcel. I was completely unaware of this until I was prepping for this specific podcast episode, but Google's Gemini app has been number 1 in the App Store for the past couple of weeks. Per CNBC, they launched an updated version of its AI model called Gemini 2.5 Flash Image, which has a new image-editing feature called Nano Banana. The app allows users to blend multiple photos together and use prompts to create such things as digital figurines from photos that a user uploads. The product helped bring in 13 million new users to the Gemini app in 4 days, and according to Josh Woodward, a VP at Google, users have uploaded 5 billion images in less than a month to use the Nano Banana editing feature.

Ben Thompson

No, the Nano Banana thing is incredible. You should try it. It works incredibly well, it's really easy to use, and I think it's a pretty big deal. You see apps pop up to number 1 in the App Store for a day or 2 because the App Store rankings have a very short half-life. You can have an app go viral, it's up there for a day or 2, then it tumbles down the charts.

Andrew Sharp

Mm-hmm.

Ben Thompson

The fact that Gemini's actually been number 1 for weeks, basically since this came out, and there keeps being a viral meme—to this point, it's not just about the digital figurine. It's a new idea, everyone does it, and it goes around. There appears to be some sort of sticking power, and part of this is that Google is really good at this.

Andrew Sharp

Yeah.

Ben Thompson

The Nano Banana capabilities are really good. We saw this a little with Midjourney. Midjourney always ended up stuck, buried in Discord. They probably needed an app sooner than they did to sort of move things along. But there were a lot of people spending a lot of time on there just going through images and creating images. People like images. And this shouldn't be a surprise if we look at the history of media. But that means we're only halfway, because the end state is video.

Andrew Sharp

Mm-hmm.

5. Google Takes The Video Lead

Ben Thompson

Video is what people like the most. And you might sit here and say, "Oh, but people aren't going to like AI video," to which I would go back 10 years: did you forecast that people would actually be spending way more time on user-generated videos on TikTok that are 30 seconds long than they would be—

Andrew Sharp

Yeah.

Ben Thompson

—on produced content? Be careful in your presumption around human preferences. Broadly speaking, we know that humans like video. So given that, and again, maybe they won't like AI video, but I think they might. Who's going to win that? Google not only has the channel with YouTube; its video-creation capabilities are amazing. Nano Banana is amazing. There are also some other pretty good image-generation tools. Midjourney is still really, really good, to take one example. OpenAI's image generation already had its viral moment; it's still pretty good.

Andrew Sharp

Yeah.

Ben Thompson

I think Google's is better, but it's competitive. Video's not competitive. Google's so far ahead—astronomically. OpenAI tried to get ahead of it with its Sora launch last year, and Google—

Andrew Sharp

Mm-hmm.

Ben Thompson

—just embarrassed them with Veo 2.

Andrew Sharp

I remember, yeah.

Ben Thompson

And since Veo 3 has come out, it's amazing, and now they've actually productized it. And here's the big deal. This is why I wrote this article even though it's late. Google stock actually has been on a tear for a few months. This is not a Facebook, "I called it at the bottom, I'm going to pat myself on the back for the next 5 years." I am late to this.

The reason I'm late, and the reason I wrote it now, is because the fact that Google has the capabilities has never been in question. DeepMind—that's why Elon Musk and Sam Altman started OpenAI ages ago, because it was clear even a decade ago that Google was the best-positioned to win this—

Andrew Sharp

Mm-hmm.

Ben Thompson

—and they've gotten refocused, and they're shipping good models, even though they started out so embarrassingly with the whole Bard thing and the launch. That was still one of the craziest keynotes that I've ever seen. A guy went up to do a presentation, and he said, "Let me demo it," and went back to the counter. There was no phone there to do his demo on. It was amazing.

Andrew Sharp

Was this the thing they did in Paris—

Ben Thompson

Yes, yes.

Andrew Sharp

—trying to respond to OpenAI? Yeah.

Ben Thompson

It was crazy. People were presenting; they didn't know what was on the slides. It was one of the wildest keynotes I've ever seen. I don't even know if it's on the internet anymore. I should have captured—

Andrew Sharp

Scrubbed from the internet.

Ben Thompson

Yeah, it is—

Andrew Sharp

Yeah.

Ben Thompson

—it’s crazy. So they're still behind, but—

Andrew Sharp

But that's where they were.

Ben Thompson

That's where they were.

Andrew Sharp

They were flat-footed—

Ben Thompson

So their models have been getting better.

Andrew Sharp

—and people were like, "Okay, how did you let this happen?" But now here we are.

Ben Thompson

They dropped these image models. They dropped these video models. But the question was, can they actually productize them? Can they actually ship? And what was such a big deal about this YouTube announcement last week was not just that YouTube is the obvious channel, but that they actually shipped it.

Andrew Sharp

Mm-hmm.

Ben Thompson

And if they've figured out how to productize and ship—not just fun little Veo 3 applications in YouTube—

Andrew Sharp

But—

Ben Thompson

—which is great.

Andrew Sharp

—but what did they actually ship, though, as far as YouTube is concerned, just to remind people?

Ben Thompson

Some of this stuff is live, and some of it's not, so fair enough. We can wait, check in in a month or 2, and see how much actually got out the door. But the stuff was there. I think it was far enough along that I'll call them on it if none of this actually sees the light of day. But—

Andrew Sharp

But they are AI tools for creators, essentially, to incorporate AI, is that right?

Ben Thompson

Well, you have Veo 3 that anyone's going to be able to use. You can use a prompt to make videos, or you can just upload a bunch of clips and it will put the clips all together into a narrated video, and then you don't have to organize it or whatever it might be.

Actually, the one that I think is pretty funny, and I'm actually kind of excited about, is text to song. This might be a good Sharp Tech marketing tool. You could clip a rant or something like that—

Andrew Sharp

Yeah.

Ben Thompson

—and it will make it into a song.

Andrew Sharp

Terrific.

Ben Thompson

Which, again, you could see a lot of misses with this, but you could imagine a couple of hits will be pretty spectacular.

Andrew Sharp

No, I think the next anti-monopolist rant is going to be a big hit on YouTube. I can't wait.

Ben Thompson

Yeah, no, just brace yourself. There's going to be some viral videos that go around of someone taking Trump or something or other and just making a song out of it, and it's going to be—

Andrew Sharp

Mm-hmm.

Ben Thompson

—very funny. So that's coming. And those are more consumer-y, easy-access bits and pieces.

6. YouTube Monetizes Creator Commerce

The big one that blew my mind was this auto-tagging capability for creators, who feature products. Actually, the highest-end creators make more money off YouTube than on YouTube. You watch MKBHD, and he's doing the Samsung thing. That's where he's making his real money, even more so than the YouTube ads.

That was actually an interesting bit about the presentation. YouTube wants into that business, and they're framing it as, "We're helping you, freeing up time."

Andrew Sharp

"We're going to make this easier."

Ben Thompson

Yeah, there's a bit from YouTube's perspective which is, "You're making a lot of money on our platform that we're not getting a piece of." But—

You could certainly see, for lower-level creators who don't have the capability to do those brand partnerships, it will be better. You can also see some of those brands going to the high-end creators and saying, “Can you just go through YouTube? We don't want to deal with you individually.” And then suddenly their cut is taken. So there's a little bit of tension there.

Andrew Sharp

Mm-hmm.

Ben Thompson

But as part of this feature, you can insert a link to your video. That can be one of the ways your monetization can be gated. How many click-throughs did you actually generate? How many people went through? Did you actually drive sales? You get more sophisticated advertising than just, “Did you say the spiel in the middle of the video?”

Andrew Sharp

Yeah.

Ben Thompson

To do this, you have to upload it to YouTube, and then in the YouTube editor you have to go find the spot, insert the link, and then cut the link off at the right time. It's not that it's hard; it's just annoying, right? It takes a while. You have to go in and do it, and then if you change the video, you have to do it again, and all this sort of thing. And YouTube's like, “Look, no, we can take care of it. Give us the link. We will figure out the right spot, we'll put the link in, and then we're good.”

Andrew Sharp

Mm-hmm.

Ben Thompson

And let's say at 20 minutes, it's like, “Oh, the AI can see he's talking about a Samsung phone. I have a Samsung link here. I'm going to put the link in the video.” Super basic. Super basic and incredibly profound because—

Andrew Sharp

Because—

Ben Thompson

We talked about this in the context of Meta a year ago, which is my contention that every pixel on Instagram going forward is going to be monetizable. They will be able to recognize every item in every video and attach a link to it or create some sort of bidding process. The actual business model, we'll see what that sort of looks like.

The reason I frame that in the context of Meta is I've gotten a lot of traction by being pro-Meta for a long time, for sure, and also the sense is Meta's founder-led; Meta can ship. Here we are a year later, Meta's AI is, like, a total mess—

Andrew Sharp

Languishing, yeah.

Ben Thompson

It's kind of in disarray. Again, I go back to that. My interview with Mark Zuckerberg was so weird this year. It was pre-reset, and I felt there were so many things he didn't talk about, like this, like using AI and VR, which are back to his talking points. A lot of the Meta keynote last week was Zuckerberg talking points, which is great—I love to see it—but the reality is they're kind of a mess—

Andrew Sharp

Yeah.

Ben Thompson

And Google shipped it. Google—they shipped a very small version that is very pro-creator, but it's a straight line to what's happening.

Andrew Sharp

The big blob—

Ben Thompson

The AI is identifying a product and inserting a link.

Andrew Sharp

…is moving. Yeah. Well, so to recap, first of all, just loving your evolution here, growing from a little calf out there in the pasture to a big, strong Google bull on the other line.

Ben Thompson

Google's always had the pieces to do it. The question was, could they ship? And YouTube, at least, is shipping. And then you back up, and it's not just that part of Google is shipping. Arguably the most important part for winning the future of the consumer is shipping. That's what YouTube is.

Andrew Sharp

Well, that's the key. That's what you synthesize with your article. If you look at the history of media, AI video is probably going to trump AI text on the consumer side as far as a market opportunity. Then you look at the advantages Google has, and what we've seen even over the last 2.5 years, Google is going to be much better in AI video, at least for the foreseeable future, than any of its competitors.

Ben Thompson

Right. And, by the way—

Andrew Sharp

And—

Ben Thompson

They have all of YouTube video for training data.

Andrew Sharp

Exactly.

Ben Thompson

Everyone kind of scrapes it, and as everyone is also using YouTube video data, I imagine Google is much more efficient and much more capable of using it by virtue of owning it.

Andrew Sharp

But also, Google has a clearer path to monetizing all of these advantages than any of its AI peers, at least as we sit here in 2025, and that's the other piece that came through.

Ben Thompson

Well, Meta's the other one. This is the reason I was bullish in the Meta article. I kept saying, “Oh, this also applies to Google. This also applies to Google.” I just sort of gave Meta the benefit of the doubt that they would be better at shipping.

Andrew Sharp

Mm-hmm.

Ben Thompson

And that was wrong. So go read the Meta AI Abundance article and just search and replace Meta for Google, and all this stuff applies. They have the—

Andrew Sharp

Yeah.

Ben Thompson

…surfaces to manifest it. They have the business model to manifest it. AI is going to be one of the biggest gifts to advertising ever. It already is in terms of generating the ads themselves. It's huge.

Andrew Sharp

Yes. And I think in the Meta article that you're referencing, you said that Meta has a chance to be the most valuable company in the entire world.

Ben Thompson

Ah.

Andrew Sharp

So find and replace, and Google has a chance to be the most valuable company in the entire world, for everybody keeping track at home. Speaking of monetizing opportunities, though, I want to read this note from Joshua. He says, “How big of a threat to Amazon is Google increasing the affiliate ad surface in YouTube? AI product recommendations seem like an emerging and relatively underappreciated use case.”

Andrew Sharp

And that is the end of the free preview. If you'd like to hear more from Ben and I, there are links to subscribe in the show notes, or you can also go to sharptech.fm. Either option will get you access to a personalized feed that has all the shows we do every week, plus lots more great content from Stratechery and the Stratechery Plus bundle. Check it out, and if you've got feedback, please email us at email@sharptech.fm.

(Preview) Video's Ongoing Victory Over Text, Google and YouTube's Abundance of Opportunity, Six Questions About an AI Bubble | BidClub